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EOS-1D Mark IV Features Completely Redesigned 45-Point Autofocus System, Fast 10 fps Continuous Shooting, 16-Megapixel Resolution, Outstanding ISO sensitivity, and Full HD Video Recording on selected Frame Rates

LAKE SUCCESS, NY, October 20, 2009 – Canon USA, Inc., a leader in digital imaging, is proud to introduce the next evolution in the EOS 1D series cameras: Canon EOS-1D Mark IV digital SLR cameras. EOS-1D Mark IV is a high-speed multimedia performance with a monster 16-megapixel Canon CMOS sensor, Dual DIGIC 4 Imaging Processor, and 14-bit A / D conversion of the data, all at 10 frames per second (fps), with the widest range of ISO Canon has produced to date. This new camera also features full 1080p high-definition video capture at frame rate can be selected Canon packaged in the most violent and long lasting, professional camera body.

Achieving peak Canon 1D Mark IV digital SLR is the new autofocus system that began with 45 AF points including 39 high-precision cross-type focus point capable of tracking fast-moving athletes or wildlife accurately at speeds up to 10 frames per second. With detection capabilities greater problem than previously plus newly redesigned II AI Servo AF focus prediction algorithm, Canon EOS-1D Mark IV cameras set a new standard for performance among professional digital autofocus SLRs. Is taking pictures for the six o’clock news or the front page, EOS-1D Mark IV is a digital SLR camera to freeze the classic fast-moving action with high-speed stills, or take stunning HD video with dynamic color and image quality. To accompany the new EOS-1D Mark IV Digital SLR camera, Canon also announced a new accessory, the WFT-E2 wireless file transmitter II provides photographers with a wide range of professional digital connectivity.

“Canon is working hard to become the leader of imaging in all our businesses. The purpose of this has triggered our innovation and R & D efforts to engineer the most advanced autofocus system that Canon has ever produced. We are proud to announce that the camera will provide the ultimate in imaging quality for professionals working in all areas of multimedia imaging, whether it’s action photography, Photojournalism or HD video and cinematography, “said Yuichi Ishizuka, Senior Vice President and general manager, Consumer Imaging Group, Canon USA

Canon EOS-1D Mark IV camera is a professional photographer will intrigue in almost all categories of Photojournalism and sport by nature, wedding, portrait and fashion for commercial, industrial and law enforcement. What makes the EOS-1D Mark IV camera is different from its predecessor, but focus on the various systems and improved image quality, is amazing Full HD video capture capabilities. With the new functionality, the 1D Mark IV digital SLR meant to appeal not only is a professional photographer but also a diverse market of professional videographers and filmmakers who are looking for exceptional video quality Full HD, amazing low light performance, outstanding portability and durability level not had occurred in most HD video cameras in this price range.

New 45-Point Autofocus System
the new EOS-1D Mark IV digital SLR camera features Canon’s most advanced auto focus system-to-date. It is equipped with newly developed 45-point AF sensor that displays 39 high-precision cross-type AF points, and all the new II AI Servo AF mode gives still photographers, and performance strength and focus to track fast moving subjects at speeds up to 10 frames per second. With more than twice as many cross-type focus points as the EOS-1D Mark III and the new AF sensor construction that enhances performance in low light and with low contrast subjects, EOS-1D Mark IV has a detection capability greater problem than the previous EOS models . To complement the various improvements AF, Canon has developed a new predictive AI Servo AF focusing II algorithm to significantly improve transient response and stability by making better decisions on the focus tracking in a variety of shooting conditions.

Amazing High ISO Performance
Wedding and event photographer shooting in low light without flash can take advantage of Canon’s ISO broadest coverage and highest performance ever. EOS-1D Mark IV camera ISO speed settings range from 100 to 12,800 in the 1 / 3 or 1 / 2 stop increments with L Expansions ISO settings: 50 to bright light or H1: 25,600, H2: 51,200, and H3: 102,400 even for situationsThe most dim. Photographer and documentary filmmaker who worked on the available light will be impressed by the low sound quality 1D Mark IV images, capture stunning still images and video even at high speed setting of ISO 12,800. High ISO, low light still pictures further improved regulated by the Canon High ISO Noise Reduction feature, is now the default settings on the camera.

EOS-1D Mark IV, EOS HD Video Powerhouse
Over the past year, Canon EOS Video HD technology has changed the way users capture 1080p HD video and opens new doors for a multimedia journalist and Hollywood cinematographers with full manual exposure control, frame rates selected, and the interchangeable lenses on some of the largest and most sensitive image sensor in the market.Canon continues the trend of this innovation with the new EOS-1D Mark IV Digital SLR with Full HD capture and full manual exposure control, plus the frame rate can be selected in the new all-APS-H sized image sensor is similar in size to the Super 35mm motion picture film frame .Large sensor allows the filmmakers to achieve a shallow depth-of-field as cinematographers traditionally done using a cost much higher-film equipment.

More than 50 Canon EF lenses are compatible with the EOS-1D Mark IV, incredibly creative videographers provide choice, including an impressive selection of professional opening of L-series prime and zoom lenses, macro, Tilt-Shift and optical Fisheye. Canon EOS-1D Mark IV allows for a three-resolution video recording – Full HD 1080p and 720p HD in 16:9 aspect ratio and Standard Definition (SD) in a 4:3 aspect ratio. The camera will record full HD at 1920 x 1080 at the selected frame rate 24p (23.976), 25p, or 30p (29.97); and 720p HD or SD video recording on either 50p or 60p (59.94). SD video can be recorded either in NTSC or PAL standards.Recorded voice either through internal monaural microphone or optional external microphone connected to a stereo microphone input. The camera also provides in-camera video editing function allows users to delete the beginning or end of the video clips directly on the camera to eliminate unwanted footage and accelerate the post-production.

Image quality and performance
Core EOS-1D Mark IV camera is outstanding picture quality, a newly developed 16.1-megapixel Canon CMOS sensor featuring the latest and most advanced proprietary technology. These technologies include dynamic photodiode construction increase to increase the reach and gapless microlenses are positioned closer to the photodiodes to improve the efficiency of light collection. The quality transmissive color filter array has been improved to increase sensitivity.Canon also enhanced the sensor circuit to improve noise reduction before the image data exported from the CMOS sensor to the rest of the image processing chain.

With 60 percent more pixels than the EOS-1D Mark III, EOS-1D Mark IV employs Digital SLR Dual DIGIC 4 Image Processors with approximately six times the processing power of DIGIC III for the full 14-bit A / D conversion at 10 fps. High-speed continuous shooting up to 121 Large JPEGs are probably using a UDMA CF card. The camera also features three shooting modes for flexibility with RAW Full RAW (about 16 million pixels), F-RAW (about nine million pixels), and S-RAW (about four million pixels). Three additional records JPEG format (M1, M2 and Small) also available.

The 14-bit per channel conversion is facilitated by the dual DIGIC 4 Processors provide subtle tonalities in the final capture all 16,384 different tones in each channel (red, green and blue) at full frame rate of 10 fps. New RAW images shot on the Canon EOS-1D Mark IV uses the entire 14-bit space when converted to 16-bit TIFF files in Canon Digital Photo Professional (DPP) software, supplied with the camera at no extra cost. The 14-bit A / D conversion is also the foundation for Canon’s Highlight Tone Priority feature takes maximum advantage of the wide camera dynamic range to preserve detail in areas highlighted in the picture. New Canon EOS-1D Mark IV digital SLR camera also features an improved white balance algorithm to make a more accurate colors when shooting under low color temperature light source such as household tungsten lamps.

EOS-1D Mark IV features Canon’s digital SLR Peripheral Illumination Correction dark repair function that may occur in the corners of the picture with most of the lens when used on their biggest hole. When activated, it will automatically be applied to JPEG images and video clips such as a shot. For RAW images, can be applied in the DPP software.

Other new features include a large three-inch solid structure II Clear View LCD screen with 920,000 dot / VGA resolution, wide 160-degree perspective to improve the clarity and colors more accurately when reviewing images and video shooting. The new in-copyright information featured professional camera help secure copyright control over pictures by specifying the data directly into the camera and add information for each image file in Exif metadata. Additional features include a fluorine coating on low pass filter for better dust and improve drive EOS Integrated Cleaning System.

Minimize Post Production with Enhanced Canon’s Auto Lighting Optimizer
Action photography really is all about speed, fast to catch the subject quickly focused and fast frame rates. However, all this might speed is wasted if slowed by the long post-production procedures to regulate the quality of the image. EOS-1D Mark IV digital SLR helps reduce post-production work with a strong Auto Lighting Optimizer (ALO) system. When activated, Canon ALO automatically adjusts your optimal image brightness and contrast on the fly for the camera image processing, reducing the cut highlights while keeping dark areas as clear and detailed as they actually appear. By optimizing the brightness and contrast on the camera, Canon ALO system significantly reduces the need for optimization of post-production drawings, and gives photographers the image quality they can take directly to the press. Demanding professional photographers who tested ALO clearly states that this feature will reduce their production of post-optimization process images with more than 75 percent. Canon ALO work well Rawi and JPEG images and video recording.

Rough Reliability
Canon has taken every step to ensure that the EOS-1D Mark IV digital SLR camera has the highest level of weather resistance in the EOS line. IV on camera 1D Mark combines a variety of design features that increase durability and reliability for professional duties. For example, the 1D Mark IV body, chassis and lens mount and fully weatherproof gaskets and seals 76 around all the buttons and stitching. Includes an internal body and chassis, including the mirror box, which was built with magnesium alloy, one of the most powerful and rigid available for heavy metals. To increase the power, the lens mount is built with stainless steel. In fact, when used with Canon Speedlite 580EX II and / or the current L-series lens, the camera system remains fully weatherproof, so that professionals can concentrate on getting the shot instead of worrying about protecting their equipment.

New Wireless Connectivity
Canon is announcing the availability of the new WFT-E2 II A * wireless file transmitter for EOS-1D Mark IV digital SLR cameras. The WFT-E2 wireless transmitter II is very small and versatile device that offers professional photographers a variety of connectivity options including digital IEEE802.11a/b/g and Ethernet, is ideal for commercial and studio work. In addition to adding the ability to connect to a wireless network for 802.11a, the new WFT-E2 II A increase the wealth of professional features new to the photographer’s tool kit. Connecting new feature allows photographers to a fire at the same time up to 10 remote cameras, and a renewed WFT remote server mode allows you to use Live View, the control settings, and fire EOS-1D Mark IV via the Internet from anywhere in the world using standard Web browser or a lot of Web-enabled smart phones. Also, geotagging is now possible via Bluetooth, using a compatible GPS device to add the coordinates of the image data.

Price and Availability
The Canon EOS-1D Mark IV digital SLR camera is scheduled to be delivered to U.S. dealers in late December, and will be sold in a body-only configuration at an estimated retail price of $ 4,999.00 ii. Final pricing and availability Canon WFT-E2 II A wireless file transmitter will be available later this year.

beautiful exotic girl

beautiful exotic girl

beautiful exotic girl

exotic girls

exotic girl who radiates inner beuty of turbulent

Need both photographs and about a subject.

This is something that requires much consideration in landscape photography in particular. One of the best ways to ensure that your pictures both from and about a subject is to think of adjectives would you use to describe the scene in front of you.

Remember that the adjective is a powerful tool for the writers of the story. Adjectives can help photographers tell their stories, too. Think of adjectives would you use to describe the scene for a family member or friend: lush meadows, huge cliffs, colorful gardens.

Then think about how you can use the elements and light to describe their adjectives in the way of storytelling.

If you think this picture Stanage Edge, Final andy_AHG Sunlight by a lot of adjectives in this story.

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I see it as a representation of this view of peace. The fading warmth of the sun helps to describe the serenity and breadth of this cliff edge.

It’s a real treat to see the story in a landscape photograph. What kind of adjectives you see in the picture this scene?

The first start with the proper settings

Halloween night can be a bit complicated in your camera. If you’re at a point and shoot camera you are looking for “scene” settings and use “night setting”. Just remember that you will want to strengthen yourself and your camera as often as possible, as this increases the ISO setting and shutter speed to use again.

If you use a DSLR camera to adjust the night time photography by upping the ISO and use a shutter speed longer. Bring flash is very helpful. Try dragging the shutter for a better exposure, remember to keep the camera steady!

Party pics at Halloween can be great, but remember that there’s more to Halloween than trick or treat and bad costumes. It’s about atmosphere and mood. Getting creative with photography means you open your mind to see from a different perspective.

TIP 1 – Go Hollywood

hellowen

Some of our best memories of Halloween involves the things that bump in the night. We can thank Hollywood for that. So, if you’re friends with all vintage costumes, vintage use plugins and filters, or better yet expired real movie! This will really add to the mood.

Tip 2 – Let Nature be your Guide

helloween 2

Yes, Halloween may be all about fake blood, face paint, and a wig, but do not forget that nature provides year-round terrible crawlies. And nature can be a wonderful thing to see.

Tip 3 – Eerie Camera Tricks

helloween 3

Great spooky background … check.

Old wedding dress … check.

Willing models …. Check.

The camera shutter speed set to high … check.

Tip 4 – Children Can Be Scary

helloween 4

Most of the Halloween makeup and a little selective de-saturation in Photoshop can make a big impact. Reminds me of those kids from the Corn movies. Scary.

Tip # 5 – Children Can Be Cute Too

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Halloween is a great time to catch the kids in their costumes. Plus you can use it against them in the future, as their first date! Using natural light from windows, if available and try to avoid shooting down on them.

building

Measuring light in photography is an art and science. The combination of technical knowledge and artistic vision is very important to use creative exposure techniques and create a better image.

Combining art and science to measure the light used to build a basis for setting your exposure reading. You can use this reading as a sample given the exposure amount of light available for you to catch with your camera.

Once you sample light reading, or basic, you can use the component in the exposure equation to select or manipulate the exposure setting to set aperture, shutter speed, and / or ISO.

Today, one of the most commonly used tools to get your basic reading is your cameras built in light meter. You can set your ISO and then put the camera in automatic exposure for early reading. With the camera in automatic exposure shutter speed and aperture will be selected for you.

More advanced ways to use your cameras built in light meter will use the aperture priority setting or shutter speed priority setting.

You can get a basic light meter reading in the shutter priority by pre-selecting your shutter speed. The camera will adjust your diaphragm or cracks.

If you use the aperture priority mode you can choose your f-stop and the camera will adjust the shutter speed.

Using the aperture or shutter priority mode is often better than using a full automatic mode to get the exposure reading. This is because you will have control over two of the three components in the exposure equation.

Some camera models will allow you to get the light meter reading with only doing “half-press”.This is where you press the shutter button halfway down. Always check your camera manual for specific to your model.

The biggest problem is what you are directing your camera to get your reading. We are fortunate to have rarely uniform light subject. A bright subject will give a very different readings of a dark subject lit even in the same scenario. More brightly lit sky at sunset from the ground at the same time today. Watch what you are pointing the camera at the time you get a light meter reading.

Once you get your start reading you can adjust to compensate for any creative exposure you need for a given scenario. Perhaps you are a portrait of a backlit subject by the sun. You may end up with a “blow-out” the sky. Nothing. It is important to expose the many portraits is the face.

If you just rely on your camera metering and never really adjust you will only end up with “average” exposures.

This may be fine at times, but often result in a fairly boring image.

children

See them in action
The kids are always moving, because every parent with a toddler can attest. Accepted. You’ll get some pictures showing the action of the movement if you set your camera correctly. The kids on the swings, slides, merry-go-round, playing sports, etc … This is a great activity to show your kids have fun. If you want to “freeze” the action, set your camera to the fastest shutter speed is higher with ISO (be careful not to go too high, you’ll begin to get noisy images). If you still use your automatic settings, just use the sports setting. Do not be stopped by freezing the action though. If you want to make a motion on the image to add a flare that you can slow down the shutter speed. Pan the camera with the movement and you’ll find the pictures where the background is the subject moves, but most of the focus. Do not get frustrated with your first results; this does not take a little practice and experimentation.

Get the level of their
Children are smaller than adults (my wife calls me Captain Obvious sometimes), so you’ll need to come down to the level of their eyes. This will help keep your child’s body in the right proportions to avoid distortion in which the child’s strange to have a big head is not normal. This rule is not hard and fast, however. Experiment with the angle can be fun.

Spying
Now I’ll never really told you to spy on your kids (and please, just to spy on your kiddos), but taking pictures of your children when they are not aware you can produce good pictures. This is a great way to capture the personality of the child. If they are really cool while playing with their toys and then get a good close-ups of their expression. Use portrait camera settings to help escape from the background on this exercise.

Forget the smile
Portraits where children are forced to smile at, well … forced. So, forget it. Kiddos continuously learn about their environment, so they naturally thinkers. You can even create them in this way sometimes by asking them to rest their chins on their hands. If you need to get a smile and then try to play peek-a-boo behind the camera. The best for my son.

Focus on children
Making your child the center of attention. After all, the image is not about the background most of the time. This is the place that the portrait setting (usually a silhouette of the head) on your digital camera will help. The camera should be trying to blur the background so that the subject of your image stand out more (known as the shallow depth of field). You can do it manually with the shutter set to f/2.8 you if you have a lens or f/5.6 for most other digital cameras. Anything between fine too.

exposure_triangle_copyright_lrg

tips to select the shutter speed-untu photographers and photo photography

A fast enough shutter speed is essential to avoid becoming a picture blurred through camera shake, or because the subject itself was moving during exposure.

As well as helping to control overall exposure, shutter speed has an important role in portraying movement within a picture. The first thing that can eliminate shutter speed is the movement of the camera itself. However you try to steadily hold the camera with your hands, involuntary movements from your muscles means that it is impossible to keep the image in the viewfinder completely still.

As a general rule, no set-up camera can be handheld without the risk of a blurred picture unless a shutter speed of faster than 1/30sec is used. But the problem with camera shake becomes more acute the longer the lens that you use – or the more you zoom into the subject. At higher magnifications, the slight movement of your body becomes more noticeable. The simple rule is therefore always to use the shutter speed that is the reciprocal of the focal length that you are using (or faster). For a 28mm lens setting you should use 1/30sec (the closest available speed to 1/28sec). For a 100mm you would use 1/125sec, 1/250sec for a 200mm, and 300mm lens for setting a minimum of 1/500sec.

Slower speeds can be used without the risk of camera shake, of course, if the camera is supported. A tripod should allow you the greatest range of shutter speeds – slower speeds but can be used by balancing the camera on a solid surface (such as a wall or car roof), or Tightly wedging your body into a doorway. Some digital cameras and SLR lenses have image Stabilization systems that help reduce the effects of camera shake.

The movement of the subject itself should also be considered, as a faster than usual speed will generally be needed to capture the action crisply. The exact shutter speed needed will depend not only on the speed of the subject, but its distance from the camera, the focal length of the lens, and its direction of movement. The bigger the subject is in the frame, the more marked its movement will appear. Similarly, you will need a faster shutter speed if the subject is moving across the frame than if it is moving towards the camera.

Take it slowly after dark

When the light is low, there may be no alternative to using a much slower shutter speed than you could possibly use with a handheld camera. If a tripod is not available, you can stand a camera on a flat surface, such as the window ledge, and fire the camera using its self-timer to minimise vibration.

close ups

One day I was just idly to take some pictures of the lizard that makes me think about the dangers of close-up photography in general.

The first problem we need to see is, how close the lens will focus. The lens has a minimum focus distance varies from lens to lens, zoom lens has a few more ‘macro’ setting and the focus will be quite close but most of the focus lens will not close enough to take a picture on the right.

Extension Tubes

If you use the lens will not focus close enough there are several ways to make him do it. If the lens is removed from the camera, you can use the ‘extension tube. This usually comes in a series of three which can be used separately or together. They fit between the lens and the camera body and, as the name, there is no glass in them, they only serve to move the lens away from the field of film (or CCD in digital cameras). The lens will now focus on objects that are closer than before but will no longer focus on infinity.

An extension tube is a good solution as you still use the lens quality that you pay so much money and so the image quality will be the same as for any other shot. Weaknesses (there’s always a bad side, you never get anything for nothing) is that you need more light (inverse square law works equally well on the back of the lens as in front), both a longer shutter time or space wider. Your meter will automatically compensate for this, but it can cause severe depth of field problems we will discuss in a few paragraphs.

By using some gradients and simple brushes we can create a eye catching composition that will leave you wanting more.

Step 1

First i created a new document of 500 × 300 pixels that I filled with white (you can chose to create yours on a larger or smaller canvas its up to you). Create a new layer and select the lower part of the canvas.

fill-half-canvas-with-blacks1

Step 2

Now using brushes that i had in my collection, i painted grass and some flowers in black across the top of the black line. You can find brushes like the ones i used at deviantart.com or a similar place.

brushed-on-grass-and-flowers-s2

Step 3

Now create a new layer and place it under the black layer (with the grass and flowers). Fill the layer with white and drag it below the gradient from top to bottom.

brush-gradient-s3

Gradient will look like the picture below.

brush-gradient-outcome

Step 4

Create a new layer in between the gradient background layer and the grass layer. With the polygonal lasso tool i create rough mountains as below.

brushes-create-the-mountains

Then apply a gradient below to gunung.mountain-gradient layer

mountain-gradient

Step 5

Next decorate you composition with some objects, i chose a boy jumping (i found a silhouette brush on deviantart.com)

final-brush

child

child happy face when playing together

state court

state court

This is a heritage building is the second president of Indonesia have died, the country’s first palace built in the city of Yogyakarta, before moving to the current capital Jakarta

bokeh

I will try to explain the effect of Bokeh, ..

Bokeh refers to the technique of blurring an image to add to the aesthetic quality of a photograph. The word bokeh, derived from the Japanese word “boke” (pronounced “bo-keh”), literally translates to ‘fuzziness’. When a photographer wants to make an image appear softer, bokeh will put the object slightly out of focus without completely destroying the integrity of it’s definition.

Often, bokeh is confused with the idea of a picture’s “sharpness.” Rather than describing the point of focus, however, bokeh is the blurring of the background or foreground.

When an image within a camera’s lens is “in focus,” the camera has positioned the image at the point where most of the light has converged on the image to a fine point. Yet, if an image appears out of focus, then the light appears as a blurred disc, rather than a focused point. To create bokeh in a picture is to put the image out of focus without making it unrecognizable.

When bokeh is used incorrectly, a picture will render a combination of sharply defined lines combined with blurriness.

To the contrary, correctly performed bokeh produces an image with no sharp edges. Instead, the fuzziness produced by bokeh suggests the image without distinct borders.

palms

towering palms together as if the sky with the moon

In this Photoshop tutorial you will learn how to create incredible hulk saw using a brush and a mixture of options. This effect is quick and dirty and should only take you about five minutes to complete. This effect is quick and dirty and should only take you about five minutes to complete.

Create incredible hulk saw

Step 1 Step 1

Open an image in Photoshop. Opening images in Photoshop. Use an image that has some skins exposed. Use an image that has an open skin.

Step 2 Step 2
Create a new layer by selecting Ctrl + Shift + N.

Step 3
Select the brush tool with an appropriate brush size and colour. I have used #0a8456 colour, but you can use whatever colour you like. Now paint over the areas of the skins like below. You don’t have to be too tidy with the brush tool as the mistakes can be taken care later on.

Graphic2

Step 4

Change the blending option to Hard Light. The select the eraser tool and fix any mistakes from the previous step. You should now have a Hulk appearance like below.

Graphic3