photographyreal.com

by.ableh photography

maya

maya in action

maya beautiful

This photo I took when in the afternoon, located in the valley UGM YOGYAKARTA MAYA woman I made this time with a model wearing a long black dress and Jens quite exotic, sensual expression … can I take from the mouth and body mayaa

looking sky

maya its hot

a pretty good composition expression is also good, … by using camera canon eos 450 d with a standard lens which is quite satisfactory results

please give your comments about this pictures,thanks

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by.ableh photography

sleep

sleeping in the streets

pedicab driver who fell asleep

the photo above I give the title to bed, .. maybe it was just right so is the way people on the streets if you want to rest at night, any place to sleep …. the They made no matter what anyone says around
Newspaper repose them enough to sleep and a place that has a roof in order to avoid when it rains
I salute them, great, great ,….. a tough person.
This is a lesson for us all, never complained what we get now because it’s all good god, …

please give your comments about this pictures,thanks

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BY.ableh photography

The old grandfather

the lost in yogyakarta city

outcast in yogyakarta

This photo I took last night at two o’clock precisely, I accidentally saw an old man sitting alone lost in thought, when I asked what was here,.??
I waited for him to answer my child, … after a long talk was essentially the old man lived by his family in the city of Yogyakarta, suffered his fate, finally .. I requested permission for the old man to take his picture for me immortalized in a campus exhibition ?
very moving very, very deep … the suffering of all.

please give your comments about this pictures,thanks

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by.ableh photography

black and white

There are several ways to achieve a black and white digital photography. With black and white digital photography, you bring the user back to the end of a period of time when life seemed much simpler. Many digital cameras equipped with a function to retrieve the image type. If your digital camera does not support this function, you still can convert your photo to black and white with software programs.

You’ll want a black and white digital photography you to see the best when you’re finished. A technique that can help you get the best images from your digital photos is through the manipulation of images. You might feel better to change your color images of eight bits (usually JPEG) into 16-bit color. This is important because an 8-bit RGB can be equal to 10-bit grayscale.

You can find all the information on the internet to help you with black and white digital photography. These resources can be found in everything from websites to magazines. color images can look really beautiful as black and white screen. You usually have to convert your graphics, because although there is an option with a digital camera, digital camera right there in black and white.

Colorcasts

An important part of black and white digital photography is improving colorcasts. This is caused by poor lighting, but you can use software such as PhotoShop Elements to make the relevant changes by using their editing application. Imaging is also a software factory that can help you to easily convert and improve lighting in the area of your chart to get the best picture with a black and white digital photography. If you want to change your image into black and white digital photography, you can step into an entirely new dimension in photography. You can perform a variety of endless projects right from your own computer.

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by.ableh photography

dephyia

young girl

sensual photography

long black hair

Female photography is purely a science as’ there is no art to it. Now, this idea of female photography May go against all common sense, reason and intuition, but WHO needs anyway Those Things?

Female photography is a science, mashed and simple. You set the girl or woman on a chair, adjust the lighting, take meter readings and the numbers are perfect Pls, you pop the flash and take a photo again and again Until you’re lucky Enough to get something Usable.

I try to apply that knowledge in this picture, this time I took in the city of Yogyakarta, precisely in the area Imogiri, .. with my friend and model named dephya using white dress gives the impression sensual.
places that are so natural and still very beautiful very very supportive at all

thank you if you give coment

by.ableh photography

what you want wedding photography tips from expert wedding photographer??

If you’ll shoot your first wedding, here are some expert tips on wedding photos to help you create a positive impression on this marriage and any other wedding you will be photographing.

Learn everything from building relationships and rapport with the bride and groom, to get the best picture on the big day.

boy-and-girl

Wedding Photography Tips 1 to 26
1 – Always remember you are working, and act professionally.

2 – Be early. Get to the location where the bride will get dressed well before you need to be there so you have extra time to get the special “getting ready” photos.

3 – Cover all your bases by working with two cameras with different lenses. This could also save you embarrassment if one of your cameras quits working for some reason.

bride-and-groom

4 – Don’t drink when you’re photographing. Ever. Be professional, you’re there to do a job.

5 – Explain your approach to the bride and groom so they know what to expect. Offer to show them some samples of your work.

6 – Form a relationship with the couple by shooting their engagement photos or doing a walk-through at the wedding location with them well in advance of the actual wedding day.

bride-and-groom-kissing

7 – Get lots and lots of photos. One of the best wedding photography tips. Better to have too many than not enough, and lots of variety is good. Even if the couple say they want all candid, be sure to get some posed shots and vice versa.

8 – Have an emergency contingency plan in case you get ill, in a car accident, have a death in the family, or some other unforeseen circumstance. Knowing other photographers who can cover for you in a crisis can be a life saver—and a career saver.

9 – Inspect every photograph carefully before the bride and groom ever see it. Make sure you present only your absolute best work to clients.

cake

10 – Jump up on steps, a balcony, a ladder, or whatever is handy to capture candids and formal portraits with new and fresh ideas and differentiate your photos from everyone else’s.

11 – Know your camera inside and out. As lighting conditions change between indoors and out and throughout the day and evening, you’ll need to make continual changes to your settings if you want to keep getting professional results.

12 – Lay out your gear the night before, pack the car ahead of time, and make sure you have adequate memory devices, lighting, battery packs or extension cords, extra bulbs, reflectors and diffusers, a back-up camera, fully charged batteries, extra batteries, all the lenses you will use, business cards, lens cleaning materials and fluid, a tripod or monopod, and anything else you will need.

champayne

13 – Make friends with everyone. Be friendly, chat as time allows, and enjoy yourself while you’re working. Just don’t forget you’re there exclusively for the bride and groom that day.

14 – Never over promise and under deliver. After the wedding, give yourself  sample time to prepare the photos before you set up a time for the bride and groom to see them. If you cut yourself short, the quality of the work you show them will suffer and ruin your reputation. If you don’t keep your promises, you’ll ruin your reputation even faster.

15 – Over shoot rather than under shoot to be sure you get the shots you need. Memory devices are very reasonably priced these days and since you don’t have to develop every shot like in the old film days, you’ve got nothing to lose and lots of security to gain by shooting more photos rather than less. But don’t shoot a zillion shots of the same thing (i.e., a dozen shots of the back of the bride and groom as they stand before the altar) just because you have extra time to kill.

michigan_wedding_photography

16 – Pose portraits carefully, paying attention to all the details. Adjust dresses and hair before taking the shot, check the lighting, and make sure you don’t have a tree, lamp post, or some other object “growing” out from someone’s head.

17 – Quietly do your job, drawing as little attention to yourself as possible. Soon it will be like you’re almost invisible and you’ll be able to get some great shots as the bride and groom—and their guests—let their guards down.

18 – RAW is the best way to shoot weddings so you can make any adjustments after the day is done. This is one day you’ll never be able to recapture, so if you miss the shot or goof it up, having the RAW version you can tweak is the only chance you have to save it.

beautiful-wedding-photography

19 – Sit down with the bride and groom in advance to find out details about their family, the bridal party, and their preferred style of portraiture.

20 – Touch up the bride and groom, with Photoshop elements or similar, on final photographs so you’re always putting forth beautiful portraits—even if you don’t get paid extra for it. Your reputation is on the line every time someone looks at one of your photographs.

21 – Use people’s names when you talk with and direct them for photographs. It makes it much more personal.

wedding_photographer_of_the_year_bipp_western_region

22 – View this day as the most special day (at least so far) in the bride and groom’s life together and take every effort to make it meaningful for them and shoot the photos that will bring the magic alive again when they look at them.

23 – Work with a contract or written agreement that sets forth all the details—including who owns the photographs; how much money will be exchanged, when it’s due and how it will be paid; and exactly what the bride and groom can expect for that fee.

24 – X-pect that there will be a few challenges during the day and resolve to take them in your stride. Whatever you do, don’t get short with Great Aunt Betty—even if she is trying to tell you how to do your job.

25 – Your wardrobe should be neat, neutral, professional, and inconspicuous. You don’t want to stand out from the crowd.

26 – Zoom in to get lots of candid shots from a distance where the bride, groom, and guests won’t even be aware that you’re photographing them.

wedding-photography

Do some research…
Read through magazines or books about wedding photography. Go down to your local bookstore and skim through as many wedding photography books as you can find. Gather as much information, advice and samples as you can from professional wedding photographers.

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by.ableh photography

female model

female photography

female photography site

sensual female photography

Female photography is everywhere. Wherever you are in the world…wherever you look, you will almost certainly see some form of photography with a female presence.
The female form, figure and contour of a woman’s body is sensual and alluring in every way. Everything about it is hypnotic…the legs, the hair, the lips, the eyes. The photography doesn’t have to be intimate glamour to be appealing.
You see a portrait of a beautiful woman with a fine figure being used to draw attention to the advertisement.

ega yogyakarta

The “Place” component of the program reminds us to never forget where they are located. Photography, even in the studio, does not occur in a vacuum. Yogyakarta and Bali offers many opportunities for photography and some of the most interesting collections in the world of visual art. Field trips are planned throughout the city are almost-to-day. A photography is almost spent more time in parks, sidewalks, streets and museums, learn and practice photography techniques and theory than they do in traditional classrooms. formal classes in the history of photography, aesthetics, theory of photos, Photoshop and studio lighting complement the work they do on the field.

Maternity Shots

Read the original here Just Posted:7 Must-Have Maternity Shots

tips photography

Within this tutorial as Friend Send Subhra Dey shares some tips for taking portraits. 1st. A photographer friend once told me that “there must always be some” wow “element in your photo, if you think that your photos do not have that characteristic, do not show photos to others”! Although I personally believe that it is not easy to capture the “wow” moments in every shot, but keep in mind that your goal is always helpful to get a better framing (for example, I take a picture (picture -1) from Sadhu angry at Gangasagar fair, he was badmouthing the pilgrims for not giving me enough alms. oversee the movement and prepare for the moment to press the shutter). 2. Always try to capture images that tell their own meaningful (for example I take photos (pictures -2) of schoolgirls when heavy rain as they patiently waited for another friend of them to come!). Sometimes try to interact with the subject not only to be voyeur, try to know the story behind and arrange, if possible.

Read the original here Just Posted:10 Tips for Portrait Photography

wedding-photography

1. Create a ‘Shot List’

One of the most helpful tips I’ve been given about Wedding Photography is to get the couple to think ahead about the shots that they’d like you to capture on the day and compile a list so that you can check them off. This is particularly helpful in the family shots. There’s nothing worse than getting the photos back and realizing you didn’t photograph the happy couple with grandma!

2. Wedding Photography Family Photo Coordinator

I find the family photo part of the day can be quite stressful. People are going everywhere, you’re unaware of the different family dynamics at play and people are in a ‘festive spirit’ (and have often been drinking a few spirits) to the point where it can be quite chaotic. Get the couple to nominate a family member (or one for each side of the family) who can be the ‘director’ of the shoot. They can round everyone up, help get them in the shot and keep things moving so that the couple can get back to the party.

Read the original here Just Posted:Wedding Photography Tips

Composition Basics

Composition is defined as the arrangement and combination of elements within a confined frame such as a canvass, a photograph to create a complete image. Composition can include factors such as design, order, structure, texture, form, and other elements brought together in one frame.

In photography, composition is probably the biggest influential factor in creating eye-catching works of art. The ability of a photographer to include or exclude certain elements in a scene, arrange the subject’s position, change vantage points, and other compositional techniques separate a random snapshot from an actively composed photograph.

While human eyes can interpret three-dimensions with relative ease, the ability of our eyes to decode distance, depth, texture, and patterns are not easily tranlated on a two-dimensional photographic image.

It is the task of the photographer to simulate and recreate three-dimensions into a two-dimension medium, and understanding the basic forms of composition is paramount in order to achieve this goal.

Alignment can be interpreted as how the internal items of the frame line up to the physical edges of the photograph itself. A camera often has a horizonally placed rectangular frame with the length being longer than the height. Most beginners instinctively hold the camera as the camera’s form dictates, however, many vantage point are better suited if the camera was tilted at certain angles or when the camera is held vertically.

Alignment can mean from ensuring that horizon of the subject lined up to the edges of the image frame, or making sure that subjects are lined up against each other within the frame.

landscape

Some images tend to favor a vertically oriented alignment to illustrate height and size. Vertical composition can also benefit from having a blank sky as a backdrop to isolate the subject away from distracting elements.

nature photography

Coverage

Coverage denotes the amount of space the subject fills the entire image area. Some images are best suited when the subject fills as much of the frame as possible while others are better suited if placed in a small are within the image.

Generally speaking, it is best to fill the frame with the subject if the details of the subject must be displayed and is a critical part of the image’s purpose.
There are cases, however, that isolating a subject allows the photographer to show scale and relative differences of two or more elements in a frame that would not be possible if the subject filled the frame by itself.

scalle

Arrangement

The arrangement of elements within a frame may be pre-arranged by the photographer or pre-arranged by circumstance. The more control the photographer has in arranging the subject or subjects according to the intended output, the greater the accuracy, intent, and detail is expected in the output, in general.
On the other hand, in many outdoor or impromptu photographs, the subjects or elements may be fixed and immovable, in such cases, the photographer will have to be the one to physically move the camera’s position to compose the photograph to fit the intended subject in the frame.
Whether or not the photographer can physically manipulate the elements in the scene or not, the general intent is still to direct focus and attention to the intended subject or message of the photograph.

arranged

Stacking

Stacking elements also suggests depth and distance of various elements within a scene. By comparing the relative size and distance of one object from another, we can create a sense of scale and depth between the two or more elements in a two-dimensional frame.

stack

Colors and Shades

The arrangement of colors and shades in a frame can also work as a compositional element when used properly. Certain colors accentuate one another while other colors subdue each other, knowing when to use colors to direct attention to a subject can be just as effective as placing a subject in certain parts of the frame.Color can also act as a separator between light and dark areas, forcing the viewer to look at very specific areas in the frame.

color

Texture

Texture offers a visually tangible and organic feel to photographs. Despite seeing a photograph either on screen or print, images that depict strong textures and sharp features often “pops out” and projects a three-dimensional image.

texture

Using textures on certain subject matter such as rustic elements, weathered expressions and facial features, or abstract scenes can transform a bland image to an engaging and self-expressing photograph.