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Bounce Lighting, typically used in portrait photography is the lighting that bounces off a particular source (like an umbrella, a blank wall or drop down sheet) to surround the focus of light. Lighting rebound can also be created by reflecting light on a ceiling or a reflector aluminized. Overall, the pictures taken with the lighting of the current rebound central object or person in natural light. Bounce lighting is a form of ambient light, because, as the ambient light, the light illuminates the central object indirectly bounce a photo. Less light in the final picture tends to produce softer images potentially lower.

In areas with high concentrations of actors, dancers and other performers, headshots are the bread and butter for many photographers. You can easily create a studio portrait professional-looking as the one presented here with minimal lighting. For this quick example, I placed a Canon 580 EX II on one foot above and behind the camera-left of the subject, zoom to 105mm and aimed directly at the bottom of his head. The flash output was set at 1 / 32.

The main light was another 580 EX II at position 45/45, camera-right, with power setting at 1 / 16, modified with a translucent shoot-through umbrella. The flashes were set to manual and was called with PockeWizard Plus II. Canon 7D, 85mm f/2.8 lens at ISO 100, 1 / 250 sec.

When you are new portrait studio photography, studio lighting may seem difficult, mysterious and even disturbing at a time. You can read ten different books on lighting by “experts”, and quite likely you will get ten totally different opinions on what constitutes good lighting. Maybe it’s because “correct” lighting for studio portraits is just that, a matter of opinion. Yes, there are classic styles of lighting such as: open loop, closed loop, butterfly or Paramount, broad lighting, short lighting, and so on.

But ninety nine percent of the time, customers who come into your studio does not care about the technical aspects of lighting, or classic styles of lighting. They just want to look great in their portraits, and it’s your job as a professional portrait photographer to help them do just that. The lighting system used in my portrait studio is easy to understand, easy to work, and it helps our clients look their best.

Our typical lighting system consists of three strobe lights with a “light hair” etc. strobe used as required. First, the light key is the main light source in the lighting system and is used to outline the face and add depth and interest in the subject. The key LED is what allows the subject in three dimensions to be given in a two-dimensional plane, still perceived as an image in three dimensions. The light the key light in the configuration of our studio is mounted on a stand studio Titan Side Kick. The beauty of this stand is that it is very stable, has locking casters so it is easily repositioned, and the height of lighting of the keys is easily adjustable with the “simple touch” adjustable
arm. The key light is usually the only strobe in our setup that is repositioned during a photo shoot.

The key illumination is changed by means of a parabolic reflector, umbrella or shoot through umbrella reflection, a light box (several sizes can be used), or by other means, thus achieving in each portrait, the desired effect. A guideline to remember is: at a given distance between the light source and the subject, the more the light source, the most severe of the incident light and sharper (more contrast) the shadows. Choose the modifier accordingly to achieve the desired effect for your portrait (modifiers of light that is in descending order of contrast: 6 “parabolic reflector, 16″ parabolic reflector, 40 “reflecting umbrella, 40″ pull through the umbrella, softbox 3′x4 ‘, 4 “x6″ softbox). The key light is then measured (independently) to F11. This can be accomplished by adjusting the flash output, and / or the distance between the light and the key of the object.

During the shoot, the illumination of the object remains constant when you reposition the key light, as the distance between the key light and the subject remains constant. This fact is useful to keep in mind for a reason. It allows you to quickly move your key light for different desired effects without any re-count. View your subject is at the hub of a wheel, the radius of the wheel being equal to the distance (between the light and the key to your subject) who gave you the F11 key. The button light can be moved in any position around the perimeter of the wheel of the imagination, with the lighting of your subject while remaining a constant F11.

Second, task lighting is used as contrast control by filling the “sockets and pockets” of your subject. The light-up in our play of light is placed permanently to about 15 feet of the subject, directly in front of the whole. It is raised to a height of about ten to eleven feet above the ground, so we are able to shoot from directly under the fill light if necessary. The light is diffused by filling a large box fresh and oriented (angled) direct the subject’s face. It is usually measured (independently) to f5.6, adjusting the power of the strobe. This gives a ratio of light on your subject of about 1:4.

The strobe on commonly used in our studio lighting system, is the light hair. It is used to separate the subject from the background and to accentuate the subject’s hair and shoulders. Light hair can be positioned low or high behind the subject according to the desired effect, and modifiers such as a snoot or a grid spot can be used to guide and focus the light as desired. Whether or not the light hair is used depends on the subject of hair color for the background and the desired effect for the portrait (eg dark hair disappears on a dark background and requires light hair as a separator)

Beyond posing your subject in a manner flattering lighting of your subject is the easiest skill you must master to create unique portraits. Your lighting should not be too complex, and your device may not be the latest and greatest. However, you must develop a basic understanding of the contrast ratio of light and how to control light to create portraits masterfully elegant and beautiful. The lighting system described above can be a good starting point. It is very simple to understand and easy to use, generally, only the key light is repositioned during a photo shoot. From there, the experience and practice to achieve the results you expect. As always, good day and happy clicking.

The technique called “painting with light” is an old and is
particularly useful when the light is low and you want to create dramatic lighting effects. Photographer begins with a longduration
exposure and a direct contribution to a kind of artificial light financial
flash or using a continuous source of light in the scene. color gels can also be used in front of the light source of paint to add
color.

During the long and I mean long exposure to a
hours or more, the camera imaging chip stores information from only the illuminated part of the scene. Everything else is
still dark. Obviously, a tripod is necessary because of long exposure
sometimes involved (see Chapter 6). Manual focus is also suggested,because some camera systems autofocus may not work
well in low light, and with you there, walk around thescene, the autofocus can try to focus on you! You must use a
low ISO setting to minimize the digital noise

As with all types of female photography, lighting is important, but when it comes to the sensual photography, it is vital. enjoys photography sensual soft light. The light softens lines unattractive, and soft shadows create a lovely atmosphere of seduction. If you’re shooting outdoors, make sure you take at dawn or dusk when the light is softer. If you work in, you want to use light diffusers, window curtains, and light reflectors to create the right lighting for your photos. Another great idea is to allow a little time at the beginning of the shoot to find the woman you’re a photographer. It will once you start shooting, because a large part of being a great photographer is to understand a bit about human psychology. If the subject has a sense of humor, you can try to use it to help get the best performance of his. Some will always shoot better than others, but if the subject is comfortable your chances of success are higher.

There are many topics that can be pursued in the photograph. Almost anything can be photographed. If you’re a budding photographer, the best recommendation I can offer is to choose a subject and specialized in the field. Over time, others you know as a “photographer …”, you can even become the go-to-person, so that publishers want pictures of the topic you cover. I photograph a wide range of topics, but I specialized in nature and to a lesser degree in macros and so far it has worked for me.

Two themes or topics that I found to be neglected are the picture of fire and night photography. The primary reason for its rarity (unless you’re a firebug) the second reason for the lack of available subjects / color.

But planing, preparation and patience at a time can be done. Fires are rare, but forest fires occur with some frequency, at least in Florida, the downside is that you must be ready to go on short notice when the news breaks around a forest fire. Cover the fire itself, the staff of the fight, the aftermath. You can also make a little news to report and accompanying shots with a news article. This will make your picture and article most likely to be picked up by news and editors. However, always be cautious and never interfere with those who risk their lives to control the fire. Bonn fires are also a good source of photos. Cover as flames “dancing”, the color change of the material in combustion products before and after. Structural fires can pose challenges to themselves and out, often can not get close enough to take good pictures, but they offer a great opportunity for photos and news reporting. Note: Be very aware if there is human suffering associated with fire, do not be insensitive to the feelings of others. No picture is worth aggravating the feelings and safety of others or yourself.

Not all fires must be large or complex, small things such as burning paper, a candle can be photographed. You can be creative, set up matches to light up one at a time and a row of candles of different sizes, etc.

Do not neglect the ceremonies which include fire and performers amusement park make great subjects too.

Night photography should not be boring. buildings and structures of light coverage, stars, planets, fireworks, the moon, meteor showers, planes, helicopters, and depending on where you live, the Aurora Borealis. cloud formations in the moonlight as well be in for photo ops.

Thunderstorms can give spectacular lightning strikes, making sure they can be photographed with ease. Do prepare your equipment to take time or use your camera to bulb position, where you can keep the shutter open as long as you press the shutter button.

And last but not least, have fun.

post by ableh

Digital camera that can create more beautiful pictures of people, things and places. Now you can actually paint with light using your camera and create masterpieces by the release of a low exposure of the camera.

There are two main techniques of painting with light, light technical and light streaks. What you need is a camera, a good tripod, a flashlight or other light source – using the technique you use – and a clean set up. This means that there should be no other source of light in the scene and everything is arranged according to the composition of your photo. The camera must be set to its lowest ISO setting and with a flash. manual focusing for painting with light.

For a lighting technique, you use a torch as a light source for areas that you want to illuminate. Set your camera on a tripod, then activate your trigger slowly and then go to the scene and polish the areas you want to focus on the photo. You may want to illuminate other objects more than the other to create dramatic effect. Exit the view of the camera – if you do not want your masterpiece to be ruined.

With a streak of light technique, you’ll have to use a flashlight or a light bulb as a source of light. In this technique, you want to have bands of light forming shapes in the picture. After setting up the exposure time, try to move around the stage to create your painting, but be careful on the calendar. You can draw random shapes, make an outline of an object or simply to move freely in the scene for a final product of Nice.

Whatever technique you want to use, experimentation is always a factor. When you try something new, you must carefully plan your picture composition. Practice of painting and estimate the time required to complete. You can use a combination of both techniques. You can choose different sources of light such as candles and colored bulbs. You must be creative enough to create a picture worth keeping for a long period.

post by ableh

Isn’t fun and exciting to take pictures? As for photo lovers it is their passion have a good collection of pictures. However, for professional photographers, which taking pictures is their profession, they are oblige to have a good photo shot in order for them to have more clients.

As for travelers who love to discover new places, photography is their perfect companion, because the photo itself provides them tangible memories of their trip, they can also show to their families and friends the exciting places they have been, the wonderful scenery, and the great people they have met.

Some say that photograph is considered as a message, because it conveys a statement, an impression, or an emotion. You as the author of your photograph you are expressing this message in a clear, brief, and effective way. But how will you do it to be able for your viewers understand your message? Like any ordinary message, first you need a subject. The subject is the center of attention and it is usually placed in the forefront of the shot. This can be a building, a natural panorama, or some abstract form. As a true message, if you have a subject you must be able to have a context to define or to discuss your subject. This can be your second element, the context, which is frequently the background. The context gives the subject relevance, presence, location, or other interest. With the help of these two main elements, which are subject and context, or the foreground and background, you can now tell to your viewers what exactly the message of your photo

post by ableh

perhaps for the umpteenth time this young female photos I gave to the visitors, Dina is one of my collections model and my friend charlie, … quite sexy and sweet.
wish you all happy with the results of the photo above thanks

post by ableh

I apologize for not posting these last few weeks the Idul Fitri holidays make me busy because my home town.
These results of my photos after the vacation time I take a picture of this landscape, the community is the pride of the bridge amperaPalembang in Indonesia.
hopefully this time the photo is pleased to make the visitors do not forget to send your comments

post by ableh

If you’ve already seen pictures of the tracks of light and wondered how the photographer reached the end, look no further. The effect of the light path is easy to achieve. Just camera capable of taking long exposures (about three seconds), a tripod, and a security point of view, far from ambient light. A digital single lens reflex (DSLR) camera with a bulb (B) the establishment and a mirror lock-up option and a remote shutter are optimal for achieving this purpose.

Setup

The example used here is to photograph vehicles in motion, so personal safety is essential. It is strongly recommended to wear reflective material, like a safety vest during the installation. It is not necessary to be so close to the road that you’re in danger. So you want to ensure the movement of vehicles does not create vibration of your camera or your photos will capture the vibrations.

Find a location that offers the best view of the road which has a relatively constant flow of traffic. You are better off having the lane closest to the movement away from you, to avoid shooting directly into the headlights. Be sure to avoid roads that have traffic control devices, such as stop signs or red lights. Set the camera on a tripod stable at about a 15 degree angle to the movement and chest height. This angle will capture the full effect of the Light trail.

The Shot

You’ll need to take several shots to determine the best shutter speed to the speed of modern traffic. high speed roads the better because the effect can be obtained with an exposure time. Stabilize the camera on a tripod on the level, stable ground. As you go shooting with long exposure, no wind or vibrations will surely appear in your photos. Take a moment and be sure your flash is set not to fire, the lighting is all you need for this move, but you can experiment with flash if you have items you want to appear on photo.

Set your camera to the television, or shutter priority, and set the time about three seconds. If you have an option to lock the mirror, this would be the best time to use this feature from the movement of the action mirror can introduce some vibration. If you do not lock the mirror, then adjust the camera timer so you do not touch the camera during shooting. Snap the shot that traffic is at a steady pace (do not forget to compensate for the delay timer).

Review your plans and adjust the shutter speed accordingly until you get the desired result. This technique requires patience and practice to perfection, do not feel frustrated if you do not end with a picture perfect the first time. The photograph below illustrates, posted on Flickr by Geoff Greene, demonstrates this very well. Study the installation of the photographer used. It is about a 15 degree angle to the road and traffic at a safe distance from his position. If you look closely you will notice that there are breaks visible in traffic. Perhaps a slightly longer exposure would eliminate disruptions, as the volume of traffic. Take the time to experiment and take notes during your photo shoot for future reference. Above all, enjoy your day and learn from your experiences.

post by ableh

This image captures the essence of the classic portrait of a perfect match with a subject like him just that, a beautiful woman with an elegant black dress and hat. Figure it  studio. Can I bring my shoot through umbrella lighting is soft lighting compliment the shade and the background. A wider aperture and distance to the background to soften the background just the right amount, too. I think this is a portrait, a beautiful picture of elegance. Camera Specifications: Canon 5D fitted with 70-200mm IS lens at 185mm, F5.6 @ 1 / 160 sec, ISO 400. Enjoy!

post by ableh

One of the beauty of the rather dramatic lighting setup is one where the light comes softly but routed directly from the model. That’s the light that makes colorful punk hairdo really dramatic bersinar.ini throw light into my model and at the same time allowing the rest of dizziness hotelroom that we lost in the shooting in the dark shade of black. Is not that handy?

Like I always refrain from using a professional large boom stand or anything. Speedlights, an umbrella and a piece of yarn we need.

And here is the lighting diagram of the whole scene. Simple, isn’t it?

Some examples of photographs from this shoot. They showed that the light from right above the model makes it easy to cover bodyparts with color:

post by ableh

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original photo by muhammad ma’ruf