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Sigma has announced two new lens for Micro Four Thirds (MFT) and Sony NEX system users. The lens are Sigma 30mm f/2.8 EX DN and Sigma 19mm f/2.8 EX DN featuring a newly developed linear AF motor that moving the lens elements directly without the need for gears or the drive of other mechanical parts.

The lens has Two glass mold aspherical lenses, including a double-sided aspherical lens which delivers excellent correction for all types of aberration. The Sigma 19mm f/2.8 EX DN has construction consists of 8 elements in 6 groups and a rounded 7 blade diaphragm to create an attractive blur to the out of focus areas of the image. It has equivalent angle of view as a 38mm (35mm equivalent focal length) on the MFT systems and 28.5mm (35mm equivalent focal length) on the E-mount systems.

The lens has three glass mold aspherical lenses to provide excellent correction for distortion, color aberration and field curvature. Comes with AF motor system, the lens gives an accurate and quiet autofocusing on the still images shooting even in video recording.

The objective is equipped with Vibration Reduction (VR) to capture sharper images when shooting telephoto subjects, two ED glass, ultra-fast and quiet auto focus operation. On a Nikon 30-110mm f/3.8-5.6 VR Nikkor 60mm diameter measures 61mm in length with weight approx. 180g/6.3oz.

ED – Extra-low Dispersion Glass
The goal also use ED (Extra-low Dispersion) glass to enable the production of lenses that offer clarity and color correction by minimizing chromatic aberration.

integrated coating
With SIC – Super Integrated Coating, the Nikon 30-110mm f/3.8-5.6 VR Nikkor a better performance of its optical lens that reduces and flare to a negligible level.

IF – Internal Focusing
Equipped with technology developed internally, the Nikon 30-110mm f/3.8-5.6 VR Nikkor offers an all internal optical movement is limited within the lens barrel nonextending.

Lens name Nikon 1 30-110mm f/3.8-5.6 VR Nikkor

Lens construction 12 groups and 18 elements

Angle of view 29°40′-8°20′

Number of diaphragm 7 (rounded diaphragm opening)

Minimum f-stop 16

Minimum focus distance 1.0m/3.3ft. from focal plane at all zoom positions

Maximum reproduction ratio (35mm equivalent ratio) 0.1x (0.28x)

Weight Approx. 180g/6.3oz

Dia. x length Approx. 60 x 61mm (distance from camera lens mount flange when lens is retracted)

Filter-attachment size 40.5mm

Lens cap type Snap-on

Lens hood HB-N103(supplied)

Lens case CL-N101(optional)

SAMPLE PHOTOS

LowPro the X-50 Pro Roller Attaché is something different in a market of camera bags. It tries to be a hybrid, mixing camera bag with the bag of clothes. Personally, I was searching for a bag that can handle a subset of all my camera gear and clothing for a weekend. The Attaché x-50 feature is its ability to be either a roll or bag to move to a shoulder bag attached.

The bag has a number of splitters and can in fact deal with a Canon 7D with battery grip attached and long-term goal.
As a stand alone clothing bag, the part of pebble configuration with attached off is basic and functional. Tied up with the cover bag roll is required to open all the way by two side straps. The laptop compartment on the attached was much easier than the compartment of the bag roller and the attached has room for pens, paper and other office items.

The stand front actually help stop bag switch to the front flap of the bag when the roller is open. Also, the zipper on the bag main roller is right and seems better than the previous bags I looked at Lowe Pro. It adapts easily to all. Again, I prefer to carry my luggage to roll and roll the bag seems like more work than it’s worth, but it’s a personal preference.

Capacity:

Up to a pro DSLR (without grip) and attachéd lens; 2-4 lenses (up to a 70-200mm f/2.8) or accessories; up to 14” widescreen laptop; documents and personal items; main case may be used as luggage when inner case removed

Canon EF 70-300mm f/4.5-5.6 DO IS USM is a telephoto zoom. The aim has 70-300mm in length with maximum aperture of F/4.5-5.6. Focusing: Rear focusing system with focusing cam to the point close to 1.4 m / 4.6 feet and has a filter size of 58mm. The Canon EF 70-300mm f/4.5-5.6 DO IS USM weighs 25.4 ounces and measuring 3.2 inches in diameter and 4 cm long.

“Bokeh is good.” This objective measures good for the blur. F/5.6 is the best opening when the lens is at its widest focal length and f/16 is the strongest opening to 300mm. ”

Canon raises the stakes for professional photography with its EF 70-300mm f/4.5-5.6 DO IS USM telephoto lens with image stabilization. A virtually silent ultra-sonic motor (USM) gives the lens extremely fast autofocus. The lens also includes Canon’s Image Stabilization technology to dramatically reduce camera shake, compensating for approximately three stops in shutter speed without any perceptible increase in image blur.

DO Elements
Use of the new three-layer DO lens drastically reduces the overall length and weight of the lens system increasing the refractive power of each lens element and reducing the spaces between elements. It’s approximately 26 percent shorter and 36 percent lighter than any lens of comparable specifications.

Zoom lock
The EF 70-300mm lens features a zoom ring locking mechanism, locking the lens at its shortest total length. This helps to protect the lens from potential damage by preventing the zoom elements extending under their own weight, which might otherwise occur when the lens is mounted to a camera that hangs from a neck or shoulder strap.

Image Stabilization
The lens incorporates Canon’s Image Stabilization (IS) technology, compensating for approximately three stops without any perceptible increase in image blur when shooting static subjects or panning.

Fast AF
A rear focusing ring type USM, high-speed CPU and new AF algorithms combine to give the lens extremely fast auto-focusing. The lens has a minimum focusing distance of just 1.4m throughout the entire zoom range.

Construction of the lens has 16 elements in 12 groups and a diagonal angle of view at a temperature of 4 ° 10 ‘. Focus: Internal focusing system with focusing cam, a distance of 4.5m nearest center in ft / 14.77 and has a filter size of 52mm Drop-In. The Canon EF 600mm f/4L IS USM weighs 138.3 oz./3920g II. and measure 6.6 “/ 168mm in diameter and 17.6″ / 448mm in length.

Fluorite optical displays that provide sharper images with less chromatic aberration, the EF 600mm f/4L IS new large diameter Super II USM Telephoto also benefit from magnesium and titanium for the construction of lighter weight and the coating of fluoride continue to pollute, stains and fingerprints to a minimum.

Because image stabilization technology in order to compose a telephoto lens can inadvertently overcompensated and disturbing and frame distant subjects or in motion, the EF 600mm f/4L IS USM II includes three image stabilization advanced (mode 3), which activates only when the shutter is fully pressed. It allows users to surf the fast-moving subjects and then turn on only when really necessary.

Because the three IS modes give equivalent effect for up to four stops of extra performance, and thus added the Power Focus mode allows changing the fine focus while shooting video, the EF 600mm f/4L IS USM II is ideal to capture a quick-fire action. Other improvements such as better sealing dust and make the Canon EF 600mm f/4L IS USM super telephoto lens II is very high performance digital tools combine the advantages of a remarkable ease of use with Canon‘s excellent durability.

The Sigma APO 300mm F2.8 EX DG is a high performance telephoto lens and for the professional photographer, is an absolute requirement. With a fast telephoto lens to capture the appropriate action more quickly, be it a local football match, basketball high school in a dimly lit gym or sports car racing. This goal also serves to isolate single face at a news conference or catch the bride in a candid moment at the wedding reception.

Two ELD (Extraordinary Low Dispersion) glass elements provide superior color correction and sharpness throughout the zoom range and a new technology multi-layer lens coating and form lens design reduce flare-ups and ghosting. When used with full frame cameras and Sigma 1.4x or 2x Tele Converters option, it becomes a 420mm F4 lens manual focus F5.6 or 600mm lens manual focus, respectively. For the professional or advanced amateur looking for such a lens at a price of value there is no other choice than the Sigma 300mm F2 .8. Equipped with the latest technology to compete with the manufacturer’s products and camera produces tack sharp images result.

Specifications

Lens Construction: 11 elements in 9 groups
APO Converter 1.4X AF, AF 2X
Angle of view: 8.2 °
Number of diaphragm blades: 9
Opening Mininum: F32
Minimum of development: 250 cm / 98.4 in
Filter Size (mm): 46 (rear)
Maximum magnification: 1:7.5
Dimensions (diameter x length): 119 x 214 mm/4.7 x 8.4 in
Weight: 2400g / 84.7 oz

Sample pictures:

Tenba 632-501 Shootout Mini Backpack to carry and protect two SLRs, 4-6 lenses (up to 70-200mm 2.8) and Flash, and almost every size tripod. Bag features water-resistant, ripstop nylon shell dobbydiamond – an optimum combination of lightweight and durability to the panel moves in the two pontoons make QuickAccesstrade; hatches directly into main compartment includes load compression straps reverse and convert to retention strap for luggage or utility cart and, fully adjustable divider panel is padded walls to create a custom fit, interior protector. The Tenba 632-501 Shootout Mini Bags have an external dimension 11 x 15 x 8.5 “(38.1 x 27.94 x 21.59 cm) (WxHxD), inside dimensions 10 x 14 x 5.0″ (25.4 x 35.56 x 12.7 cm) (WxHxD) and weighs 4.0 pounds (1.81 kilograms).

JOBY recently introduced three new portable tripod is designed to meet the needs of photographers. The GorillaPod Micro 250, 800 and Micro GorillaPod GorillaPod hybrid costs about $ 19.95 – $ 39.95.

Gorillapod Micro Series has a spherical aluminum engine position with up to 36 degree movement in all directions with the ability to support camera weights up to 250g (Micro 250) and 800g (Micro 800). Digital cameras weighing less than 1kg, will GorillaPod perfect hybrid with a flexible foot Wrappable provide rock-solid stability on any surface and built-in aluminum ball head (90 degree slope, panoramic 360 degree) allows precise positioning

The 19, $ 95 GorillaPod Micro 250 is available in gray, red and blue. The Micro 800 GorillaPod priced $ 29.95 in gray, while the hybrid GorillaPod available in gray and red in the price of $ 39.95.

Performance :

The Nikon D1 1 features a Newly Developed high-speed CMOS sensor AF Which implements phase-detection AF for fast auto-focusing, while Maintaining superb image quality for Both pictures and video. The camera also offers 73 focus points Which Makes the Nikon D1 camera Which Is The Offering The Most focus points in the world. With this technology allowing you to capture Continuously Nikon image has Max.10fps in AF-A mode / Max.60fps in AF-S mode while the Auto-Focus Constantly tracks the subject and keep it in focus.

The year also featuring Nikon D1 Nikon’s Active D-Lighting Which controlling overexposure and Preserving subtle features Areas of Giving You underexposed well-balanced results.

Movie

The Nikon D1 1 to allow you to shoot high-resolution still pictures while shooting movies full HD (1080/60i) Continuously and simultaneously Without Without Changing the mode dial. Another cool feature movie Is The Slow Motion Movie function allowing you to capture EACH Which flap of a bird’s wings or events at 400fps Captured Every spark of a fireworks display at 1200fps.

Design & Control

Nikon Have Made Their best effort to make this camera easy to use by Removing Unnecessary buttons on the camera. You Will find only Three buttons on top of the camera, the power switch, shutter-release button, and movie-record button. The functions also simplified the mode dial on the oven by hand only HAVING functions: Still image mode, Movie mode, Motion Snapshot mode, and Smart Picture Mode Selector.

Nikon 1 J1 Specifications

Type

Type of camera: Digital camera with interchangeable lenses
Lens mount: Nikon 1 mount
Effective angle of view: Approx. 2.7 x lens focal length (Nikon CX format)

Effective pixels

Effective pixels: 10.1 million

Image sensor

Image sensor: 13.2 mm x 8.8 mm CMOS sensor
Dust-reduction system: Dust shield glass

Storage

Image size (pixels):
Still images (still image and Smart Photo Selector modes,aspect ratio 3 : 2)
3,872 x 2,592
2,896 x 1,944
1,936 x 1,296
Still images (movie mode, aspect ratio 16 : 9)
3,840 x 2,160 (1080/60i)
1,920 x 1,080 (1080/30p)
1,280 x 720 (720/60p)
Still images (Motion Snapshot mode, aspect ratio 16 : 9)
3,840 x 2,160
File format:
NEF (RAW): 12-bit, compressed
JPEG: JPEG-Baseline compliant with fine (approx.1 : 4), normal (approx. 1 : 8), or basic (approx. 1 : 16)compression
NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats
Picture Control system: Standard, Neutral, Vivid, Monochrome, Portrait, Landscape; selected Picture Control can be modified; storage for custom Picture Controls
Media: SD (Secure Digital), SDHC, and SDXC memory cards
File system: DCF (Design Rule for Camera File System) 2.0, DPOF (Digital Print Order Format), Exif (Exchangeable Image File Format for Digital Still Cameras) 2.3, PictBridge

Shooting modes

Shooting modes: still imagestill image (3 : 2), Smart Photo SelectoSmart Photo Selector (3 : 2), moviemovie (HD 16 : 9, slow motion 8 : 3), Motion SnapshotMotion Snapshot (16 : 9)

Compatible lenses

Compatible lenses: 1 NIKKOR lenses for 1 mount

Shutter

Type: Electronic shutter
Speed: 1/16,000-30s in steps of 1/3 EV;Bulb; Time(requires optional ML-L3 remote control)
Flash sync speed: Synchronizes with shutter at X=1/60s or slower

Release

Mode: Single frame, continuous, Electronic (Hi), Self-timer, delayed remote, quick-response remote, interval timer shooting
Frame advance rate: Electronic (Hi): Approx. 10, 30, or 60 fps
Other modes: Up to 5 fps (single AF or manual focus, S Shutter-priority auto or M Manual exposure mode, shutter speed 1/250s or faster, and other settings at default values)
Self-timer: 2s, 5s, 10s
Remote control modes: Delayed remote (2s); quick-response remote

Exposure

Metering: TTL metering using image sensor
Metering method: Matrix, Center-weighted : Meters 4.5 mm circle in center of frame, Spot : Meters 2 mm circle centered on selected focus area
Mode: Programmed auto with flexible program; shutter priority auto; aperture-priority auto; manual; scene auto selector
Exposure compensation: -3 – +3 EV in increments of 1/3 EV
Exposure lock: Luminosity locked at metered value with A (AE-L/AF-L) button
ISO sensitivity: ISO 100 – 3200 in steps of 1 EV. Can also be set to approx. 1 EV (ISO 6400 equivalent ) above ISO 3200 ; auto ISO sensitivity control (ISO 100-3200, 100-800, 100-400 ) available
Active D-Lighting: On, Off

Focus

Autofocus: Hybrid autofocus (phase detection /contrast detect AF); AF-assist illuminator
Lens servo: Autofocus (AF): Single AF (AF-S); continuous AF (AF-C); auto AF-S/AF-C selection (AF-A); fulltime AF (AF-F), Manual focus (MF)
AF-area mode: Single-point, auto-area, subject tracking
Focus area: Single-point AF: 135 focus areas, Auto-area AF: 41 focus areas
Focus lock: Focus can be locked by pressing shutter-release button halfway (single AF) or by pressing A (AE-L/AF-L) button
Face-priority AF: On, Off

Flash

Built-in flash: Raised by sliding flash pop-up control
Guide Number(GN): Approx. 5/16(m/ft, ISO100, 20°C/68°F)
Control: i-TTL flash control using image sensor available
Flash mode: Fill flash, slow sync, red-eye reduction, slow syncwith red-eye reduction, rear curtain sync, rear curtain with slow sync
Flash compensation: -3 – +1 EV in increments of 1/3 EV
Flash-ready indicator: Lights when built-in flash unit is fully charged

White balance

White balance: Auto, incandescent, fluorescent, direct sunlight, flash, cloudy, shade, preset manual, all except preset manual with fine tuning

Movie

Metering: TTL metering using image sensor
Metering method: Matrix, Center-weighted: Meters 4.5mm circle in center of frame, Spot : Meters 2mm circle centered on selected focus area
Frame size(pixels)/recording rate:
HD movies
1,920 x 1,080/60i (59.94 fields/s *)
1,920 x 1,080/30p (29.97 fps)
1,280 x 720/60p (59.94 fps)
Slow-motion movies
640 x 240/400 fps (plays at 30p/29.97 fps)
320 x 120/1,200 fps (plays at 30p/29.97 fps)
Motion Snapshot
1,920 x 1,080/60p(59.94fps)(plays at 24p/23.976fps)

Maximum recording time: 1080/60i(20 minutes),1080/30p(20 minutes),720/60p(29 minutes)
File format: MOV
Video compression: H.264/MPEG-4 Advanced Video Coding
Audio recording format: AAC
Audio recording device: Built-in stereo microphone; sensitivity adjustable

Monitor

Monitor: 7.5cm/3-in., approx. 460k-dot, TFT LCD withbrightness adjustment

Playback

Playback function: Full-frame and thumbnail (4, 9, or 72 images or calendar) playback with playback zoom, movie playback, slide show, histogram display, auto image rotation, and rating option

Interface

USB: Hi-Speed USB
HDMI output: Type C mini-pin HDMI connector

Power source

Battery: One rechargeable Li-ion EN-EL 20 battery
AC adapter: EH-5b AC adapter; requires EP-5C power connector (available separately)

Tripod socket

Tripod socket: 1/4-in. (ISO 1222)

Dimentions/weight

Dimensions (W x H x D): Approx. 106.0 x 61.0 x 29.8mm/4.2 x 2.4 x 1.2 in., excluding projections
Weight: Approx. 277 g/9.8 oz with battery and memory card but without body cap; approx. 234 g/8.3 oz(camera body only)

Operating environment

Temperature: 0-40 °C/+32-104 °F
Humidity: Less than 85% (no condensation)

Supplied accessories

Supplied accessories: EN-EL20 rechargeable Li-ion battery,MH-27 battery charger, UC-E15 USB cable, AN-N1000 strap, BF-N1000 body cap, ViewNX 2/Short Movie Creator CD

Battery Life

Still images: Approx. 230
Movies: Approx. 70 minutes of HD footage at 1080/60i

Mark Bauer tests Tamron’s all-in-one superzoom

Guide price: £660 / Street price: £499
Construction: 16 elements in 13 groups
Maximum aperture: f/3.5-6.3
Minimum aperture: f/22-40
Filter thread: 62mm
Angle of view: 75º – 6º
No. of diaphragm blades: 7
Minimum focus: 0.49m
Maximum magnification ratio: 1:3.8
Dimensions: 74.4×96.4mm
Weight: 450g
Supplied accessories: Lens hood

Photography, like life, is full of compromises. For an optimal image quality, you Aod have a bag full of fast aperture prime lenses, from wide angle to telephoto. However, not only you feel the weight of this lot laying around all day, you, Ehud probably sick of changing lenses while trying different framing options. And inevitably, at some point, you Aod found that the best composition is somewhere between two focal lengths.

For this reason, most photographers compromise a bit on image quality and settle for the convenience of having a small selection of zooms. Of course, the most practical thing of all is to have a single zoom lens that covers all the bases, which is exactly what Tamron have tried to do with their 18-270mm f/3.5-6.3 VC DIII PZD, to give it its full title. She, OSA designed for use with crop (APS-C) sensor DSLR, which means it has a range of equivalent focal length of about 28 to 400mm; enough for most everyday situations.
To maintain image quality with, Äòsuperzoom, AO like this is a challenge, given the complex nature of the optical design. The general rule is, the higher the zoom, the higher the image quality, and the Tamron has a zoom ratio of 15x massive. So the big question is: is it up?
For a lens with such a wide zoom range, the Tamron is proving to be remarkably compact and lightweight. Despite this, it feels pretty solid and performs well, with smooth zoom action and a good size manual focus ring. Manual focus accurately is a bit difficult, however, that only takes you a little tour of the minimum focus distance of 0.49m to infinity. However, the autofocus performance is much more important because that is how most photographers want to use this lens. , Â ® as a landscape photographer, I do, AOT normally use auto focus that often, but for this test, I found that last Tamron AF system, the piezo (PZD) ultrasonic motor, concentrated in confidence accurately and in silence and was only slightly slower than my Canon L-lenses.

Website: www.intro2020.com

Elinchrom is one of the leading brands in Studioflash and have long been known to provide quality reliable products. However, in the past, the price of the Swiss firm held they were supposed usually reserved for enthusiasts and professionals. That changed with the launch of its system of D-Lite in 2006, a budget system that has the quality of Elinchrom for the masses. It proved to be a bestseller, and four years later, the hope Elinchrom ICT maintained similar success.

These new models do not cost just a simple redesign and adding the odd function either, they offer real improvements over the original set, which itself was excellent. The “IT” in the name stands for triggering intelligent and refers to the largest exchange in the head. The inclusion of an intelligent, programmable slave to sync with cellular systems Allows ‘Strobist’ Speedlite (that will not fire because HEDS a flash pre-flash). Also, in my opinion more important, it is an integrated receiver Skyport. This allows the head to be triggered wirelessly (ie without the need for an advance timing) using a shoe mounted Eco Skyport transmitter, which is provided as part of the kit. Skyport radio system is a trigger with frequencies oven (only on the off chance someone was near one, you can set a different frequency if you do not keep turning off each other’s lights!) And let sync flash rapidly to 1 / 250sec (as well as establishing a standard 1 / 160sec).

The heads are available in 200 and 400 watts (D-Lite 2 D-Lite & IT 4 respectively) and, if possible, I recommend buying the 400 watt heads have the extra power is very useful.
Elinchrom Board took comments from users of STI original D-Lite system and Have Improved design and construction, with a stronger neck, (which has a spare fuse) An improved mounting and which is considerably stronger than the ICT predecessor.
The heads have a cooling fan switches This indicator safety when the internal temperature becomes too high, and a visual should be blocked or the fan stops working.
With beginners in mind, it is not surprising to find that it is a game very easy to use lights. Mounting accessories for Elinchrom bayonet mount tried and tested is quick and easy. If you want to add a generous options included with the kit, you will find that a year ago considerable number of attachments suitable available.
The computer control panel D-Lite could not be easier to use. An LED indicates the setting of the current power with large buttons Two Under allowing it to be increased or decreased. Other controls let you adjust the light modeling or at least be on full power off or proportional to the power setting, which is set in increments of 1/10th. There is also a button to switch the audible ready ‘beep’ on or off. Setting up the D-Lite it was simple and easy to do and only took a few minutes (Preparation of softboxes took the most time). In use, the D-Lite 4 products worked effortlessly and wirelessly Skyport trigger worked perfectly. Recharge time is fast at about one second and the adjustments 1/10-stop power are more than adequate for studio work in general.
The D-Lite 4 kit has everything you need to get started in photography and boxes Studioflash Delivered sure you can easily protect and store the kit for storing or transporting from one place to another. 
 Daniel Lezano

Elinchrom D-Lite kits *
Elinchrom D-Lite 4 kit for it to go head studio Two £ 580
2x D-Lite 4 IT heads, 2x 66cm softboxes 
 PortaLite; 
 1x 16cm Reflector; 
 ClipLock stands 2x, 1x Skyport Transmitter 
 Eco, carrying boxes and cables
Elinchrom D-Lite 2 To Go Studio Two head kit £ 510
2x D-Lite 2 heads IL; 
 PortaLite softboxes 2x 66cm, 1x 16cm Reflector; 
 ClipLock stands 2x, 1x Skyport Transmitter 
 Eco, carrying boxes and cables
Elinchrom D-Lite 2 / 4 Two Head Umbrella Kit £ 475
1x D-lite 2 IT head 
 1x D-lite 4 IT head;

Verdict
The Elinchrom D-Lite 4 held IT provides a level of reliability, range of features, performance and access to attachments lighting is hard to match. Whatever clothes you choose, it is strongly recommended 
.
Such as: wireless trigger, easy to use, the scope of options in terms of attachment of lighting performance.
Dislikes: 400W heads are more than adequate, objective lack heads 200W enough power in May.
Rating: 5 / 5

Nikon 13mm f/5.6 Lens: Buy Now for $ 29,999.00

Considered the “Holy Grail” of Nikon lenses by Ken Rockwell fanatic, this insanely massive wide-angle primary is expensive for a reason. It is the broader goal of non-distortion of the existence, in addition to this, only 350 units have already been made​​.

In fact, this is the first time I’ve ever seen one of these for sale … anywhere. The goal was first prototype in 1973, and later produced in three installments a non-AI version and a version AI AI-S.

So if you have 30,000 clams to spend, or even less, we recommend you Ebayer SHPhoto-gmbh-bid will automatically be the envy (and perhaps the target), the Nikon fanboys everywhere.

Holsters Spider made ​​a name for themselves with their SpiderPro case, the transfer of your reflex away from your neck and put it on your hip for easy shot. Now they have expanded their range in a dual camera, allowing you to strap two cameras around you, like a cowboy photographer. DualCam the system will set you back $ 235 for a complete kit to join two reflex yourself – a boon for those who like to have two cameras with two lenses ready to go anytime. I’m willing to bet that wedding photographers will love this.

One of the characteristics of the niftier DualPro is that it is entirely modular. If you’re only carrying a camera in the field, you can remove one of the blocks, and travel a little lighter. This also allows Spider to sell a conversion kit for those who have already publishing a single camera. For $ 120 you get everything you need to take your case SpiderPro existing, and add a second pad to it, negating the need to buy a brand new accessory to manage more than one camera at a time.

I’m just waiting for someone jury-rig a pad six on this thing, and have a belt reflex, ready to shoot on short notice.

original website

Make your Sharper Image 14mm f/2.5 ASPH Panasonic G. Recently Lumix, Panasonic as one of the best companies in the gadget world is moving towards photography. It can be seen from the fact that the company has released a very unique goal for many types of aircraft, 14mm f/2.5 ASPH Panasonic Lumix G. This kind of thing is the next series of the previous target has already been published before. With some repairs, this type of lens is hoped to be able to give people the most fun they have dreamed photographs lately, with all the cameras they want. However, this 14mm f/2.5 ASPH Panasonic LUMIX G will not offer any sort of hood that you can use to protect your lens very well.

The good thing about this type of lens is that it produces a very smooth image that will make your image easily be edited very well. It is also very easy to sharpen very well because it uses the largest aperture of f / 2.5, which is only later able to move the party very soft in the corner of the image. Certainly, it makes this 14mm f/2.5 ASPH Panasonic Lumix G is really for you to everything from soft, because it will produce a sharp image, which will be more interesting for you to have.