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JOBY recently introduced three new portable tripod is designed to meet the needs of photographers. The GorillaPod Micro 250, 800 and Micro GorillaPod GorillaPod hybrid costs about $ 19.95 – $ 39.95.

Gorillapod Micro Series has a spherical aluminum engine position with up to 36 degree movement in all directions with the ability to support camera weights up to 250g (Micro 250) and 800g (Micro 800). Digital cameras weighing less than 1kg, will GorillaPod perfect hybrid with a flexible foot Wrappable provide rock-solid stability on any surface and built-in aluminum ball head (90 degree slope, panoramic 360 degree) allows precise positioning

The 19, $ 95 GorillaPod Micro 250 is available in gray, red and blue. The Micro 800 GorillaPod priced $ 29.95 in gray, while the hybrid GorillaPod available in gray and red in the price of $ 39.95.

Performance :

The Nikon D1 1 features a Newly Developed high-speed CMOS sensor AF Which implements phase-detection AF for fast auto-focusing, while Maintaining superb image quality for Both pictures and video. The camera also offers 73 focus points Which Makes the Nikon D1 camera Which Is The Offering The Most focus points in the world. With this technology allowing you to capture Continuously Nikon image has Max.10fps in AF-A mode / Max.60fps in AF-S mode while the Auto-Focus Constantly tracks the subject and keep it in focus.

The year also featuring Nikon D1 Nikon’s Active D-Lighting Which controlling overexposure and Preserving subtle features Areas of Giving You underexposed well-balanced results.

Movie

The Nikon D1 1 to allow you to shoot high-resolution still pictures while shooting movies full HD (1080/60i) Continuously and simultaneously Without Without Changing the mode dial. Another cool feature movie Is The Slow Motion Movie function allowing you to capture EACH Which flap of a bird’s wings or events at 400fps Captured Every spark of a fireworks display at 1200fps.

Design & Control

Nikon Have Made Their best effort to make this camera easy to use by Removing Unnecessary buttons on the camera. You Will find only Three buttons on top of the camera, the power switch, shutter-release button, and movie-record button. The functions also simplified the mode dial on the oven by hand only HAVING functions: Still image mode, Movie mode, Motion Snapshot mode, and Smart Picture Mode Selector.

Nikon 1 J1 Specifications

Type

Type of camera: Digital camera with interchangeable lenses
Lens mount: Nikon 1 mount
Effective angle of view: Approx. 2.7 x lens focal length (Nikon CX format)

Effective pixels

Effective pixels: 10.1 million

Image sensor

Image sensor: 13.2 mm x 8.8 mm CMOS sensor
Dust-reduction system: Dust shield glass

Storage

Image size (pixels):
Still images (still image and Smart Photo Selector modes,aspect ratio 3 : 2)
3,872 x 2,592
2,896 x 1,944
1,936 x 1,296
Still images (movie mode, aspect ratio 16 : 9)
3,840 x 2,160 (1080/60i)
1,920 x 1,080 (1080/30p)
1,280 x 720 (720/60p)
Still images (Motion Snapshot mode, aspect ratio 16 : 9)
3,840 x 2,160
File format:
NEF (RAW): 12-bit, compressed
JPEG: JPEG-Baseline compliant with fine (approx.1 : 4), normal (approx. 1 : 8), or basic (approx. 1 : 16)compression
NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats
Picture Control system: Standard, Neutral, Vivid, Monochrome, Portrait, Landscape; selected Picture Control can be modified; storage for custom Picture Controls
Media: SD (Secure Digital), SDHC, and SDXC memory cards
File system: DCF (Design Rule for Camera File System) 2.0, DPOF (Digital Print Order Format), Exif (Exchangeable Image File Format for Digital Still Cameras) 2.3, PictBridge

Shooting modes

Shooting modes: still imagestill image (3 : 2), Smart Photo SelectoSmart Photo Selector (3 : 2), moviemovie (HD 16 : 9, slow motion 8 : 3), Motion SnapshotMotion Snapshot (16 : 9)

Compatible lenses

Compatible lenses: 1 NIKKOR lenses for 1 mount

Shutter

Type: Electronic shutter
Speed: 1/16,000-30s in steps of 1/3 EV;Bulb; Time(requires optional ML-L3 remote control)
Flash sync speed: Synchronizes with shutter at X=1/60s or slower

Release

Mode: Single frame, continuous, Electronic (Hi), Self-timer, delayed remote, quick-response remote, interval timer shooting
Frame advance rate: Electronic (Hi): Approx. 10, 30, or 60 fps
Other modes: Up to 5 fps (single AF or manual focus, S Shutter-priority auto or M Manual exposure mode, shutter speed 1/250s or faster, and other settings at default values)
Self-timer: 2s, 5s, 10s
Remote control modes: Delayed remote (2s); quick-response remote

Exposure

Metering: TTL metering using image sensor
Metering method: Matrix, Center-weighted : Meters 4.5 mm circle in center of frame, Spot : Meters 2 mm circle centered on selected focus area
Mode: Programmed auto with flexible program; shutter priority auto; aperture-priority auto; manual; scene auto selector
Exposure compensation: -3 – +3 EV in increments of 1/3 EV
Exposure lock: Luminosity locked at metered value with A (AE-L/AF-L) button
ISO sensitivity: ISO 100 – 3200 in steps of 1 EV. Can also be set to approx. 1 EV (ISO 6400 equivalent ) above ISO 3200 ; auto ISO sensitivity control (ISO 100-3200, 100-800, 100-400 ) available
Active D-Lighting: On, Off

Focus

Autofocus: Hybrid autofocus (phase detection /contrast detect AF); AF-assist illuminator
Lens servo: Autofocus (AF): Single AF (AF-S); continuous AF (AF-C); auto AF-S/AF-C selection (AF-A); fulltime AF (AF-F), Manual focus (MF)
AF-area mode: Single-point, auto-area, subject tracking
Focus area: Single-point AF: 135 focus areas, Auto-area AF: 41 focus areas
Focus lock: Focus can be locked by pressing shutter-release button halfway (single AF) or by pressing A (AE-L/AF-L) button
Face-priority AF: On, Off

Flash

Built-in flash: Raised by sliding flash pop-up control
Guide Number(GN): Approx. 5/16(m/ft, ISO100, 20°C/68°F)
Control: i-TTL flash control using image sensor available
Flash mode: Fill flash, slow sync, red-eye reduction, slow syncwith red-eye reduction, rear curtain sync, rear curtain with slow sync
Flash compensation: -3 – +1 EV in increments of 1/3 EV
Flash-ready indicator: Lights when built-in flash unit is fully charged

White balance

White balance: Auto, incandescent, fluorescent, direct sunlight, flash, cloudy, shade, preset manual, all except preset manual with fine tuning

Movie

Metering: TTL metering using image sensor
Metering method: Matrix, Center-weighted: Meters 4.5mm circle in center of frame, Spot : Meters 2mm circle centered on selected focus area
Frame size(pixels)/recording rate:
HD movies
1,920 x 1,080/60i (59.94 fields/s *)
1,920 x 1,080/30p (29.97 fps)
1,280 x 720/60p (59.94 fps)
Slow-motion movies
640 x 240/400 fps (plays at 30p/29.97 fps)
320 x 120/1,200 fps (plays at 30p/29.97 fps)
Motion Snapshot
1,920 x 1,080/60p(59.94fps)(plays at 24p/23.976fps)

Maximum recording time: 1080/60i(20 minutes),1080/30p(20 minutes),720/60p(29 minutes)
File format: MOV
Video compression: H.264/MPEG-4 Advanced Video Coding
Audio recording format: AAC
Audio recording device: Built-in stereo microphone; sensitivity adjustable

Monitor

Monitor: 7.5cm/3-in., approx. 460k-dot, TFT LCD withbrightness adjustment

Playback

Playback function: Full-frame and thumbnail (4, 9, or 72 images or calendar) playback with playback zoom, movie playback, slide show, histogram display, auto image rotation, and rating option

Interface

USB: Hi-Speed USB
HDMI output: Type C mini-pin HDMI connector

Power source

Battery: One rechargeable Li-ion EN-EL 20 battery
AC adapter: EH-5b AC adapter; requires EP-5C power connector (available separately)

Tripod socket

Tripod socket: 1/4-in. (ISO 1222)

Dimentions/weight

Dimensions (W x H x D): Approx. 106.0 x 61.0 x 29.8mm/4.2 x 2.4 x 1.2 in., excluding projections
Weight: Approx. 277 g/9.8 oz with battery and memory card but without body cap; approx. 234 g/8.3 oz(camera body only)

Operating environment

Temperature: 0-40 °C/+32-104 °F
Humidity: Less than 85% (no condensation)

Supplied accessories

Supplied accessories: EN-EL20 rechargeable Li-ion battery,MH-27 battery charger, UC-E15 USB cable, AN-N1000 strap, BF-N1000 body cap, ViewNX 2/Short Movie Creator CD

Battery Life

Still images: Approx. 230
Movies: Approx. 70 minutes of HD footage at 1080/60i

Make your Sharper Image 14mm f/2.5 ASPH Panasonic G. Recently Lumix, Panasonic as one of the best companies in the gadget world is moving towards photography. It can be seen from the fact that the company has released a very unique goal for many types of aircraft, 14mm f/2.5 ASPH Panasonic Lumix G. This kind of thing is the next series of the previous target has already been published before. With some repairs, this type of lens is hoped to be able to give people the most fun they have dreamed photographs lately, with all the cameras they want. However, this 14mm f/2.5 ASPH Panasonic LUMIX G will not offer any sort of hood that you can use to protect your lens very well.

The good thing about this type of lens is that it produces a very smooth image that will make your image easily be edited very well. It is also very easy to sharpen very well because it uses the largest aperture of f / 2.5, which is only later able to move the party very soft in the corner of the image. Certainly, it makes this 14mm f/2.5 ASPH Panasonic Lumix G is really for you to everything from soft, because it will produce a sharp image, which will be more interesting for you to have.

United Kingdom, Ireland, February 7, 2011 – Canon today announced the launch of the EOS 600D – a compact, lightweight digital SLR (DSLR), which makes capturing exciting, fun and creative pictures easier than ever. The ideal choice for budding photographers looking for a combination of outstanding image quality and ease of use, the EOS 600D is at the top of the EOS entry-level Canon’s line-up , above the existing EOS 550D and the new EOS 1100D.

Capture stunning pictures and video HD has never been easier, thanks to a range of automatic shooting modes that beginners can use this time to express their creativity. A Guide entity was added to the user interface to help you learn more about the device you use, help develop your skills in photography. With an unmatched range of EF lenses, Speedlites and other accessories to improve your shooting, the EOS system is the key to the perfect shot – every time your path leads you, and whatever the stage in front of you.

image quality first-class
The EOS 600D provides all the tools to capture still images and movies beautiful HD. Amazing picture detail is ensured by a high resolution 18 megapixel (MP) APS-C CMOS sensor, which combines with 14-bit DIGIC 4 so that you can capture the wonder of a beautiful blue sky and enjoy exceptionally smooth gradations between colors. low capacity of the unit firing light allows you to get clear images and natural in dark conditions, with a sensitivity range of ISO 100-6400 can be further expanded to 12800.

Great for shooting pets, children or wildlife, the EOS 600D can shoot at high speed to 3.7 frames per second (fps), allowing you to take rapid action. Each plan will be captured by specific details for the 9-point autofocus system, which tracks subjects using autofocus points across the frame. Even more precise focusing is provided by an extra-sensitive central AF sensor, while the metering system iFCL the semi-professional EOS 7D has a sensor 63-area metering dual layer, you help ensure your plan is properly exposed, even in difficult lighting conditions.

Easy shooting, amazing results
New fully automatic Intelligent Auto Scene Mode makes it easy for you to capture outstanding shots of high quality with almost no effort. Allowing you to focus exclusively on the framing of your image, Intelligent Scene Auto analyzes the scene and automatically takes you to the best settings for capture. Your images will be better than ever thanks to a new style ‘Auto’ image, which automatically makes adjustments specific colors while you focus on capturing the scene you want.

The EOS 600D also allows easy for you to instantly add creativity to your photos. Change the atmosphere of a scene with Basic +, which lets you choose the ambience you want to achieve from one of eight options, including “hot,” “Cool” or “intense.” Whether you’re shooting landscapes, portraits or macro close-up shots, Basic +, it is easy to capture the perfect image.

Simple, flexible, artistic
Ideal for beginners, a guide entity was added to the menu system EOS 600D ‘s, offering a brief description of each key parameter and its effect, help you learn more about the device you the use.

You can also take the overhead, at ground level or in the corners variable angle 7.7 cm from the EOS 600D (3 “) 3:2 ratio ClearView LCD. Rich-screen details are provided in 1, 04 million points of resolution, and mounted on the hinge allows users to shoot comfortably and creatively from a range of unusual angles, or if you use a tripod. A fluorine coating is resistant to stains and three anti-reflective coatings also ensure that you can see the LCD in clear detail, wherever you are.

allowing you to apply your own stamp for your shots, the EOS 600D is perfect for experimenting with different creative filters. Fisheye-Effect creates a barrel distortion in the shape similar to a fisheye lens, and you can instantly transform a scene in a small scale model with miniature effect. Toy Camera Indeed, grainy B / W Soft Focus provides additional options, allowing you to experiment with your images in a number of different ways.

Capture amazing detail with EOS film
Capture your memories in superb clarity with video mode Full HD (1080p), whereas a film dedicated shooting mode means you can switch between photos and HD movies instantly. You can also reach distant subjects using new Digital Movie Zoom, which crops the center of the sensor 3x to 10x while maintaining the full HD quality – ideal for wildlife photography on a safari holiday.

allowing you to capture more engaging videos, Video Snapshot movies in two, four or eight segments on the other hand, the creation of videos that are short, easy to edit and lengths similar to clips used in most TV programs. As they are registered, the clips are stored in an album and video instant combined into one movie. A soundtrack can be added by the choice of tracks downloaded from the camera and the result seen on the LCD of the camera, or an HDTV via the built-in mini HDMI connection.

The EOS system – unlimited creativity
As your skills develop, the EOS 600D grows with you. As part of the EOS range from Canon, the camera is compatible with the unparalleled selection of EF lenses and a range of accessories, so you can add to your kitbag your ability and style develops. More than 60 lenses give you unlimited creative possibilities: the wide-angle lenses to take wide landscapes, macro lenses to capture the beauty of the most complex creatures smaller, and telephoto lenses make distant scenes appear as if they are right in front of you.

Using the range of Canon EOS 600D and Speedlites Speedlite Transmitter built in, you can also experiment with different lighting techniques, or use your external flash to give your subject or scene of a completely different look and feel . With the Easy Wireless, the unit will also take care of complicated adjustments while you concentrate on the development and lighting of your scene you want.

Here is the new EF-S 18-55mm f/3.5-5.6 IS II
Launched with the EOS 600D is the EF-S 18-55mm f/3.5-5.6 IS II – a new kit lens that offers excellent performance for beginners. Lightweight construction makes it easy to carry, and Canon renowned optical image stabilization reduces the risk of blur, enabling photographers to use shutter speeds 4 times slower, while retaining a shot without blurring. The EF-S 18-55mm f/3.5-5.6 IS II will replace the current EF-S 18-55mm f/3.5-5.6 IS Canon lenses in the lineup.

post by ableh

The Micro Four Thirds system turned two years old last October, and a lot has happened since Panasonic debuted the DSLR-inspired, but mirrorless Lumix DMC-G1. What was then a brand new system has had time to mature, and mirrorless interchangeable lens cameras (ILCs) now make up one of the fastest-growing and competitive segments of the consumer digital camera market.

Although the Micro Four Thirds system got in first, Panasonic and Olympus haven’t had everything their own way. After a decent head start, Panasonic’s G-system and the Olympus PEN-series have been joined by Samsung’s small-but-growing NX range, and Sony’s innovative NEX-3 and NEX-5. All this competition has resulted in a rash of new releases from both ‘original’ mirrorless ILC manufacturers in recent months, as Panasonic and Olympus attempt to consolidate their early lead and grab as much market share as possible.

Part of that strategy is to aim lower, at novice rather than solely enthusiast consumers. The Olympus E-PL1, released in February 2009, was designed to appeal to precisely this market, filling the gap between high-end compact cameras and enthusiast-oriented, mostly DSLR-inspired, ILCs. The E-PL1 dispensed with the control dials of the E-P1 and E-P2, but retained the same sensor (albeit with a lighter AA filter), in a smaller, considerably more compact-like body. It also boasted – gasp! – a built-in flash; something which Olympus opted to dispense with in both the E-P1 and E-P2.

read text original Olympus E-PL2

post by ableh

The first version of this lens won the nickname of his bigmir Heft 4.25 pound and enormous size.

Now is the Son of bigmir ($ 1,600, street), lighter at just under 4.2 pounds, but with a number of optical improvements, including image stabilization.

Like the original, this 50-500mm offers the widest range of zoom-10X-all objectives Sigma full-frame. It is much wider than the Canon 100-400mm f/4.5-5.6 IS (4X) or Nikon 80-400mm f/4.5-5.6 VR (5x) stabilized full editors.

An equivalent 75-750mm on most DSLRs APS-C sensor, it has four elements SLD HSM Sigma AF and silent AF motor that allows manual focus touch-ups. Its construction is superb, with a pretty

arrival and a removable tripod collar with grooves for grip.

In our test lab, its sharpness SQF numbers were excellent at 50 and 100 mm. As expected, they fell to Very Good Good then 200mm and 300mm, respectively. At 300 mm, it was just a little less than comparable Canon 100-400mm IS zoom. (Because of equipment limitations, we could test only SQF focal length 300 mm.)

Our DxO Analyzer Version 3.2 tests three focal lengths from all way out of 500mm is only a slight distortion of scope, a great improvement on the scores of distortion of the original Bigmir.

capacity of Close-up were equally impressive: The maximum magnification ratio reached 1:2.7 at 200mm, compared to only 1:05 of the comparable Canon, Nikon, Sigma and more.

The results OS? Three users obtained sharp images at shutter speeds 2 to 4 times slower than what was possible without OS. Bravo!

Most shooters use this lens on a tripod, eliminating the need for OS. And the earlier version, while more production, is still selling at $ 1,059 (street). Most of the many other new lens, however, it may be the best choice.

SPECIFICATIONS

• 50–500mm (48.61 mm–n.a. tested*), f/4.5–6.3 (f/4.33–n.a. tested*), 22 elements in 16 groups. Focus ring turns 130°. Zoom ring turns 130°.
• Focal lengths marked at 50-, 100-, 135-, 200-, 300-, 400-, and 500mm.
• Diagonal view angle: 46–5 degrees
• Weight: 4.17 lb filter size: 95mm
• Mounts: Canon AF, Nikon AF, Pentax AF, Sigma AF, Sony AF
• Street price: $1,600

Distortion:

• At 50mm, 0.20% (Slight) barrel
• At 200mm, 0.25% (Slight) pincushion
• At 500mm, 0.26% (Slight) pincushion

Light falloff:

• At 50mm, gone by f/5.6
• At 200mm, gone by f/7.1
• At 500mm, by f/10

Close-focusing Distance:

• At 50mm, 18.25 inches
• At 200mm, 21.75 inches
• At 500mm, 65.75 inches

Max. magnification ratio:

• At 50mm, 1:5.10
• At 200mm, 1:2.71
• At 300mm, 1:4.11

Stabilization: 2–4 stops

just post by ableh

The M Zuiko Digital 14-150mm F4-5.6 is its fourth lens Olympus Pen series cameras, and the first to venture into the region telephoto. 10.7x zoom ratio firmly in place “superzoom” territory, covering a range of very useful 28-300mm equivalent, making it ideal for general “walkaround use or travel. (In fact, Olympus said that with her on your camera, you never miss a photo opportunity, perhaps begging the question why the company still makes other goals.)

Like all superzoom 14-150mm uses a complex optical formula, with 15 elements in 11 groups including 3 aspherical elements (one ED glass is) to correct the aberrations. But unlike others, is an objective rather light, tipping the scales at less than 10 ounces. It is relatively small too – Olympus suggests that the volume was reduced by 35% compared to its analog digital SLR lens – the maintenance of the Pen series’ emphasis on portability. The autofocus system has been designed to meet the demands of filming, and uses only two elements focusing lens that promises fast and silent AF. There is a circular aperture to give smooth fuzzy environments, but in what becomes a kind of trend line of the pen, the hood is an option.

A missing feature, however, is integrated into the optical stabilization, simply because Olympus uses stabilizing the housing for its cameras Pen. This means that owners of Panasonic G Series will not receive any form of stabilization at all with that goal, which is an important consideration for a relatively long slow zoom. This is the main difference from the most obvious alternative, Panasonic Lumix G Vario own HD 14-140mm F4-5.8 OIS, but the increased complexity of objective results stabilized at a hefty price tag. Let’s see how the Olympus realizes.

read original olympus

post by ableh

Sony NEX-3 NEX-5

Since Panasonic and Olympus have created their Micro Four Thirds System mirrorless, all the talk about what was the other players on the market will do. Micro Four Thirds has continuously strengthened its market share, apparently without response from the three companies that represent over 80% of sales of digital SLRs (Canon, Nikon and Sony) in that “the risks Micro becomes the generic term for these systems mirrorless (“When the X to a micro camera?” has become a fairly common thread title on our forums),.

The wait is now over that, following the screening models at PMA, and a torrent of teasers and leaks, Sony has finally officially announced its NEX system last month. The details are exactly what you expect – capable of HD video APS-C sensors in small bodies. What could take you by surprise is how the bodies are small – NEX-5, especially for its small size. In fact, the cameras are too small to be included in the body of the units of image stabilization, which is found in Sony DSLR, and instead use lenses made from “Optical SteadyShot. These cameras will come under the NEX Alpha brand but do not use the Alpha lens mount, instead of using the new fully electronic system of E-Mont.

Sony has made it clear he aims for compact camera users who want to update (a market he estimates at about 10 million potential buyers), rather than trying to offer a second camera the current digital SLR users. And models NEX have more in common with compact cameras as digital SLR – including buttons and a few interface resolutely unconventional.

Through this interface, it offers not only standard option with Sony to show a small description of each option selected, it also has a complete user guide built into the camera. relevant sections of this guide are available in each shooting mode to provide guidance and advice on everything from how to hold the camera in order to reach an out-of-focus background.

The company told us he felt that his competitors had just miniaturized, rather than revolution, it is not surprising that NEXs longer just reflex of the company with the mirrors removed. Instead you get an entirely new system of metallic glasses with body kit (something we never expected to see again in a product the public), and an accessory port instead of the conventional flash shoe .

As with Samsung and Panasonic, Sony Electronics is substantive (rather than cameras) for the incentive away from the optically DSLR design a more complex around the electronic display of meaning. Sony’s situation is somewhat different in that it has purchased the Minolta respected and know-how, but despite numerous new models, it has been able to make a big impression on the market in digital SLR few selected areas. Therefore, it is understandable that this might combine his knowledge DSLR with its expertise in electronics to establish a compelling competitive advantage.

just post read the original sony NEX-3

post by ableh

reckmon gilz division

rendhy (boo)

rocky

feby (vocal)

gayuh

the opportunity this time I will menampikan reckmon photo for the third time, to locations in the radio studio unishi, this time not as usual reckmon personnel, this time only four people Rendy (boo), Feby, rocky, gayuh ….
raper asriin the absence came in because there are jobs.
radio studio this time-anal reckmon children playing acoustic music …. so the strains of music, although they typically remain visible.
I hope you are all well pleased ,…. give your comments?

just post by ableh

Pentax K-x, firmware V1.01

X Pentax sitting in the slot previously occupied by the company K200D – one of the best entry-level DSLRs are determined in the market on time – despite the current position has been elevated by the arrival of a new generation of simplified models underneath. Pentax line-up which means K2000/Km designed to attract the attention of compact camera users to DSLR ownership with the interface that is easy to use and small scale, and that is that the camera is immediately reminded KX (they share the same body).

Despite the compact size and uses AA batteries, there is more than one indication of 7-K about the new model specification. This 11-point gain system-K 7′s AF and PRIME II imaging engine, along with its ability to correct chromatic aberration and distortion when using a lens Pentax DA and DFA. It also has an orientation sensor.

read the original Pentax K-x

just post by ableh

Nikon D3S

When the Nikon D3 was launched in August 2007, it had an immediate impact on the DSLR market, and not only in the professional sector. The D3 was Nikon’s first DSLR with an FX (full frame) CMOS sensor, but its major selling point, in the minds of many photographers at the time, was its unparalleled image quality at high ISO settings. With the D3, photographers could shoot at ISO settings up to 6400 without a significant penalty in noise, and in a pinch, even go up to ISO 25,600 (equivalent) – unheard of at the time. This versatility, coupled with a very capable AF system and rugged, weatherproof build, did much to reverse Nikon’s declining fortunes in the professional DSLR market. Professional Canon users, many of whom were disillusioned by the seemingly endless problems that plagued the flagship EOS 1D Mark III at the time, flocked to the D3 in large numbers. In the process, Nikon mounted a formidable challenge to Canon in the sports and action segment of the pro marketplace.

read the original nikon D3S

Telephoto zoom lens incorporating Sigma’s original Optical Stabiliser

just posted

Sigma UK has announced its APO 120-400mm f/4.5-5.6 DG OS HSM optically stabilized lens will be available soon in Sony and Pentax mounts. Currently available in Canon, Nikon and Sigma mounts, the Pentax version will start shipping from May 21, 2010 followed by the Sony version from May 28, 2010 at a suggested retail price of £766.30.

read the original lens camera

by.ableh photography

pool ball

reza ferdinand

reza pool

ardit zai

master ardit

miyabi

collection of pool players in yogyakarta Indonesia precisely this picture without a concept and theme ,…. I took when I was idly playing in the pool where
the master pool play much there.
in this photograph is only part of my master pool tampilkan.dengannn 50mm canon lens and flash are fairly normal maximum result for me

please critique and advice for all visitors

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canon 1d

Just post

The Canon EOS 1D Mark IV is the fifth generation of Canon‘s speed-orientated range of professional DSLRs. It retains the two-grip form factor of the original, 4MP EOS-1D launched in September 2001 (itself building on the integrated grip of the film-era EOS-1N RS, also the first to offer 10fps shooting, albeit without AF between shots). And it’s this consistency of design, which extends to the AF pattern and much of the control layout, that helps to explain the name – the Mark IV really is the current point in an evolutionary process, rather than a wholly separate model.

However, more than previous 1D series cameras, the 1D Mark IV has a lot to prove. Whereas, in the past, Canon‘s flagship models have been a fairly safe bet, autofocus problems with the 1D Mark III have cast a shadow over the range. Those problems, which appear to have come from a combination of manufacturing error, increased complexity of AF customization and the AF sensor occasionally being overwhelmed in bright conditions, have become notorious.

read text original canon eos 1D

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