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Lens-making is an art, artisans craft Nikkor optics ÄìNikon from the finest materials, pride in adding their intellect and technique to bring the world the best WA lenses to life. They push the tip of the lens-making in their efforts to provide the, Äúglass, AU makes the world, larger images OSA.

AF Nikkor work with Nikon SLRs for optimal performance, even very recent. The Nikon AF Nikkor 85mm is an ideal way f1.8D compact and portable telephoto lens for portraits indoors or outdoors. An excellent choice for your first telephoto lens, it features subtle blurring of background for beautifully natural and evocative portraits, the back of the system developed for fast optical performance and smooth, and weighs 13.2 ounces

Nikon Super Integrated Coating ensures exceptional performance
To improve the performance of its optical lenses, Nikon uses an exclusive lens coating that reduces multi-layer and flare to a negligible level. Nikon Super Integrated Coating achieves a number of objectives, including minimized reflection in the wider wavelength range and color balance and reproduction. Nikon Super Integrated Coating is especially effective for lenses with a large number of items, like our Zoom-Nikkor. In addition, Nikon, a multilayer coating process is tailored to the AO design of each particular lens. The number of coatings applied to each lens is carefully calculated to match the lens type and glass used, and also to ensure uniform color balance that characterizes Nikkor lenses. This results in lenses that meet much higher standards than the rest of the industry.

Back focus
With Nikon, rear focusing AOS (RF) system, all lenses are divided into specific lens groups, with only the rear lens group moving for focusing. This makes autofocusing operation smoother and faster.

Remote information
Nikkor D-type and G-type relay information about remote-camera Nikon AF bodies. This then allows possible advances like 3D Matrix Metering and 3D Multi-Sensor Balanced Fill-Flash. Note: Type D and G-type Nikkor provide information to remote cameras: Auto exposure; F6, F5, F100, F90X, F80, F75, F70, F65, F60, F55, F50, S Pronea, Pronea 600i, D2 series, D1 series, D100, and D70s/D70. Flash control, F6, F5, F100, F90X, F80, F75, F70, D2 series, D1 series, D100 and 85mm f/1.8D AF D70s/D70 cameras.Nikon is a medium telephoto lens. The lens is equipped with the 85mm lens with maximum aperture of F1.8. The lens construction has 6 elements in 6 groups and the diagonal angle of view at 28 degrees 30 minutes (35mm format), 18 degrees 50 minutes (Nikon DX format). Development close to 3 feet. Nikon 85mm f/1.8D AF The lens weighs 13.2 ounces and measures 2.8 inches in diameter and 2.3 cm long.

The term supermodel is more focused on the paid model, the top model, the model is very high, which usually has a worldwide reputation, excellent quality and often in a context of business models. The supermodel term became respectable in the popular culture of the 1990s. Models usually work for fashion designers, high-class photographer. They have a contract worth several million dollars for a fashion show once. The supermodel has called the agents themselves as household names around the world and recognition associated with their modeling career. They have been on the cover of magazines worldwide famous. To become a model must be in all the covers all over the world at the same time that people can recognize the children. The first introduction of a solid indication of supermodel status in the fashion industry.

A good photograph can be taken with Instamatic camera property or that everything is in the angle of the shot and pay attention to the background. Here are some tips to remember …..

1. Try to get to ground level with the model. Imagine that the height of the crew aboard the ship. This gives a more realistic picture.

2. Pay attention to the background. Try to make the background of the UN-occupied as possible. If something happens in the background, it distracts attention from the model to be photographed. Sometimes, that’s when you can shoot a wider angle for cutting down.

3. When shooting, you know where you are. Be aware of your surroundings when you are around the models, especially the public exhibition. If you’re busy getting perfect results, you may be a child or for worse in the middle of the model of a very detailed plans to launch. One guy became so trance with video recording of an event once he literally stumbled at the end of the dock.

4. models shooting. Always try to display a photograph of a model on a white background. A single sheet works well. Try pastel colors. If you use a white cloth to the hull looks great, but if your cabs are white, they wash in the background. Ditto for using a black cloth. The hull to blend into the background. Sometimes, I used the sofa covered with a sheet over it so that it covers the bottom and back and you have a place to sit on the model. Use a plain background, it is easier when you play with photo editor and paste your template in a photo background.

The A55 (with the cheapest A33) is the first camera SLT translucent mirror on the market. This bleeding edge technology brings with it a veritable plethora of benefits, obviously the ability to shoot continuously at 10fps incredible.

It’s worth saying again: it is (count em ‘) ten 16.2MP full-size plans. Each. Second. Factor in the turbo, laser accurate autofocus and you have a heck of a speed demon, ideal for hanging away from moving subjects like football players, birds in flight, etc..

Huh? Noisy? Nah
The picture quality is excellent. Sony Digital SLRs used to get flak for the poor noise control, but the A55 may be pushed to the sensitivity range of ISO and still produce good results. The colors are natural, detail is strong and thus the pictures are just as good as those produced by a digital camera from midrange.

The A55 is not without a trick pony, either. There is his ability to shoot 1080i video format AVCHD fine at 25 or 50 fps with stereo sound, a clever automatic HDR, integrated GPS for geotagging and Sony devilishly clever panning mode, which lets you effortlessly create epic multi-shot panoramic display in seconds. You can even do it in 3D – as long as you have the correct type of TV to watch it again.

SteadyShot image stabilization body is a nice touch, because it means you get anti-shake tech with any goal you bolt onto the A55. It is ideal for optimum clarity without a tripod.

Light or fragile?
The fact that Sony has packed it all in a lightweight and compact makes the A55 even more impressive. Some might call the plasticky build quality – and it is true that there are many things placky – but he is strong enough by the standards of mid-range DSLR.

The screen is also mightily impressive. Sharpness 921.000-dot LCD can be tilted in any direction, it is clear and sufficiently clear to be perfectly usable on the outside on a sunny day.

There is no optical viewfinder, because the A55 is a TLS rather than a digital SLR camera. You can use the electronic viewfinder to give you a view through the lens, and is a perfect condition – but it can not correspond to actually have a proper optical viewfinder.

It’s a shame, but certainly does not have enough shine off this fantastic snapper dropping a star.

Today, LCD screen has become a very important part of a digital camera. In fact, in some models of cameras, the LCD is already in the viewfinder that people can use to adjust the settings and previewing an image. As such, this part must be properly managed if it stays free of scratches and dust.

As always prevention is better to make sure your digital camera and its LCD screen is in good condition for a long time. You should keep in mind that this component where you preview images is delicate as glass. For this reason, the fingers should never touch the screen as much as possible, because even a little pressure can cause damage.

An important consideration for those who have digital cameras where the LCD does not have coverage or not such retraction is to obtain a non-abrasive cleaner and case. This will help protect against scratches and fingerprints.

When cleaning your camera lens or only use a microfiber cloth other. Remember to turn off the camera before. You can use cleaning solutions on the market, but make sure it does not contain ammonia. At home, you can create your own solution by mixing distilled water 50/50 and isopropyl alcohol.

A word of caution when using cleaning solutions is to ensure that no water or liquid left on the screen. Experts suggest not to spray the solution on the screen but rather dampen the cloth with the solution before applying it on the LCD.

Another trick is to use a protective film known as guard or shield. This is normally made from polycarbonate filters and is designed to protect your LCD screen from dirt, dust and shock. It is available in different sizes depending on the device you use and it fits snugly on your screen with the plastic tabs. And as it remains in place, you do not need to regularly adjust your screen on the camera.

The screen protector is available for digital cameras, laptops, mobile phones especially the iPhone has a touch screen and electronic games like the Sony PSP and Nintendo DS. Another advantage of this tool is its ability to reduce glare and reflection that makes it easy for you to capture your favorite pictures, even under the sun.

There is also another product called hood which can also protect your LCD screen. This attachment usually just above the screen to cover the sun and prevent blatant. You can buy this camera or the shops of camera manufacturers. Some even come in the foldable type.

Or you can always create your own using cardboard cover LCD. Take appropriate measures first and then design one according to what suits you.

So never ignore the screen of your digital camera LCD because it serves a good cause. He deserves to be protected during use and even when not in use then are the owner of a loaded camera and you can be sure to keep your favorite device for many years.

Pentax may be a step behind Canon, Nikon and Sony digital SLR market, but the Kr shows there is life in the old dog yet. This new mid-range camera feels like a premium version of the Kx published early last, with the same sensor, but stimulate the build quality and performance.

Take ISO, for example: it hovers over the entire height of 25600 (double that of most digital SLR Midrange) means you can happily shoot at shutter speeds used in all light conditions, but conditions. Your pictures will be noisy at that setting, of course – but at least they will not be a large rectangle of blobby blur.

No major greenhouse
At least ISOs the picture quality is superb, even with just the kit lens 18-55mm attached. The camera seems to turn to blows slightly darker than normal, but all were sharp as a tack with colors of packing more punch than ten David Hayes. In body image stabilization, you get anti-shake technology to any goal you set, too.

The kit lens is a great artist and less plasticky than most, while the autofocus motor is a strong chugga sometimes – not ideal when shooting video, the sound will be picked up by the microphone Kr.

Video jobsworth
720p HD video quality is nothing to write home about, but does the job. Needless to say, Scorsese wannabe serious will opt for something other than an SLR Pentax epics for their home – the Canon 60D and A55 Sony are much better options throughout. There is no HDMI port for watching your clips on a TV, either.

The body is robust and Kr pieces big enough to sit comfortably in your hand. It is very “old-school DSLR” and it’s not a bad thing: all controls are well located and there is no need to bend the fingers or dive into the menus too often change the settings around . The screen is also excellent: he could not tilt or twist but it is bright and sharp knife.

The chunky mode dial on top comes with the usual priority modes (aperture, shutter speed, full manual, etc.), but adds something new to the mix: Sv, or sensitivity priority. In this mode, you set your ISO and the camera works on everything else – a great idea.

Versatile battery
A more interesting – and only – thing: Pentax accepts Kr is its rechargeable battery or four AA standard. This means you can always whack in some batteries to the rigor and keep shooting.

Kr Pentax is not really enough for us to recommend more than the equivalent Sony, Canon and Nikon models, but it is a reliable performer with a big lens kit. If you are already a Pentax DSLR user looking to step up is an excellent choice.

post by ableh

New slot machines Kr in the Pentax lineup between the entry level model Kx and K-7 enthusiast. Visually, it is much closer to the Kx but a closer look under the hood reveals that the new camera has been improved in various fields. Specifically, Kr now shows the point of active focus in the viewfinder when the shutter is pressed halfway. The lack of this feature was one of our main points of criticism of the Kx and Km (which is almost certainly why the prism Kr is slightly larger than Kx).

Despite the visual similarities with Kx Kr is supplied with components of both the Kx and K-7 and includes some completely new features as well. Kx as he captures the images and 720p video onto a sensor of 12.4. As the K-7 pictures and menus can be viewed on a 3.0 inch LCD screen with 921k pixels resolution. In addition, Kr offers the widest ISO (100 to 25,600 in enhanced mode) and the fastest burst mode (6.0 fps) of all current Pentax DSLRs. New features include an IR interface simple (wireless data transfer to compatible devices), a method of treatment of substance and a Night Scene HDR. For photographers who can not decide whether they prefer AA batteries or a rechargeable property as a source of their power unit offers two options of Kr. It comes with a rechargeable battery AA standard but can be used with an adapter optional.

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The Micro Four Thirds system turned two years old last October, and a lot has happened since Panasonic debuted the DSLR-inspired, but mirrorless Lumix DMC-G1. What was then a brand new system has had time to mature, and mirrorless interchangeable lens cameras (ILCs) now make up one of the fastest-growing and competitive segments of the consumer digital camera market.

Although the Micro Four Thirds system got in first, Panasonic and Olympus haven’t had everything their own way. After a decent head start, Panasonic’s G-system and the Olympus PEN-series have been joined by Samsung’s small-but-growing NX range, and Sony’s innovative NEX-3 and NEX-5. All this competition has resulted in a rash of new releases from both ‘original’ mirrorless ILC manufacturers in recent months, as Panasonic and Olympus attempt to consolidate their early lead and grab as much market share as possible.

Part of that strategy is to aim lower, at novice rather than solely enthusiast consumers. The Olympus E-PL1, released in February 2009, was designed to appeal to precisely this market, filling the gap between high-end compact cameras and enthusiast-oriented, mostly DSLR-inspired, ILCs. The E-PL1 dispensed with the control dials of the E-P1 and E-P2, but retained the same sensor (albeit with a lighter AA filter), in a smaller, considerably more compact-like body. It also boasted – gasp! – a built-in flash; something which Olympus opted to dispense with in both the E-P1 and E-P2.

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Samsung Electronics Co., Ltd, a global leader in digital media and digital convergence technologies, announced todaythe launch of the new WB700, the ultra-slim camera with an impressive 24X zoom function, capable of delivering superb quality images whether your subject is near or far.

The camera features a 24mm ultra-wide Schneider KREUZNACH lens to capture the perfect wide shot, as well as an outstanding 24X zoom function, made up of an 18X optical zoom and 1.3X Smart Zoom. The WB700 delivers sharp images with incredible detail in close up thanks to the camera’s 16 Megapixel (MP) CCD sensor. The flexibility of the WB700’s lens and zoom functions means that you can capture a broad landscape in the same 16MP detail as a bubbling brook in the distance.

Steve Mitchell, General Manager, Samsung UK Digital Imaging, said: “We understand that many of our customers come to us for the very best and most up-to-date technology available, which is why we have chosen to bring all our innovation together in the WB700 for both the advanced and novice photographer, giving a balance of professional quality imaging and the kind of usability anyone can master. On top of the core excellence of the WB700’s 16MP 24mm lens with OIS and Schneider KREUZNACH super-zoom, we have added features that add surprise and delight to the photography experience, such as our new smart filters, the smart lens effect and zoom noise cancellation, adding value throughout the photography experience.

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post by ableh

I apologize for not posting these last few weeks the Idul Fitri holidays make me busy because my home town.
These results of my photos after the vacation time I take a picture of this landscape, the community is the pride of the bridge amperaPalembang in Indonesia.
hopefully this time the photo is pleased to make the visitors do not forget to send your comments

post by ableh

The graphics are in nanometers. Visible light is approximately 390-650 nm (the human eye can see very faintly in the range 700-800nm). Graphics used with permission of the coast of the optical system.

Filters Buying
An excellent source for filters at competitive prices is our sponsor of confidence, B & H Photo. Get filters B & H Photo.
spectral transmission - B + W 103 ND 0.9

Although called a B + W neutral density, shooting a gray card for white balance is good because the spectral response is not entirely neutral (no completely neutral for ND filters). Images tend to be a bit hot (yellow).

Get B + W neutral density filters B & H Photo.

For the shooting of visible light, the range 400-650nm is relevant here.

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1. Pan a moving subject.
Panoramic follows a moving subject by rotating the camera while the shutter is open, has two major advantages for shooting wildlife. It captures the object strongly, while the background stripes to show the movement (as in the photo above). It can also help you keep your subject when too strong lighting IMG to get you faster shutter speeds for freezing action. Panoramic generally requires the shutter open for 1 / 8 sec or more, depending on the speed of the object. Whether you use a tripod or handholding (which can produce straight and parallel lines in the background streaks-cool effect), start the stove before the shutter is open and keep moving until it is closed. Like most things in life, practice makes perfect panoramic.

2. Check the histogram.
The peaks and valleys of this graph represents the amount of exposure in darker shades (far left) to the most brilliant (far right). On the banks, you should worry about: If a spill graph on the left edge, you lose detail in deep shadows and generally obtain a noise dose. Trespass on the right side, and you end up with blown highlights, like an empty sky. If the graph extends to the left, increase exposure, if it spills over the right to reduce their exposure. Sometimes you will not be able to get both content simultaneously. landscape shooters may choose to drop the shadow rather than blown highlights, but there are exceptions landscapes backlit like David Clapp’s on pages 58-59.

3. Follow with a zoom.
You want to fill the frame with a bird in flight, if you win the long zoom for the longest focal length. But when you put your eye to the viewfinder, you are met with a blank blue sky and green foliage. Where is the bird? Rather than swinging your objective in all directions in an often futile hunt for a moving subject, try to zoom up. Set your zoom to a focal length wide enough to easily take the bird in flight when you put your eye to the viewfinder. Once you do, follow focus on it (as with the pan, use continuous autofocus), until you are in tune with its speed and trajectory. Then begin to zoom in and fill the frame. In addition, as the deck it gets easier with practice.

4. Set hyperfocal distance.
The hyperfocal distance is the focus setting that will give you the greatest depth of field (DOF) that still includes infinity. If your lens has a DOF scale (a series of inscribed lines adjacent to the distance scale and labeled with f-numbers), setting it is easy: Switch the lens to manual focus and turn it so that the infinity distance mark lines up with the f-stop you’re using. If your lens has no DOF scale, you can eyeball it using DOF preview (provided your camera has it): Set your aperture and trigger DOF preview. Focus the lens manually to a near distance, and, while looking through the viewfinder, set the distance farther and farther until the most distant object comes just into focus. If the viewfinder image is too dark, cover the finder, cup your hands around the eyepiece, and wait for your eye to adjust.

5. Bracket exposures and other settings.
A common myth is that one perfect exposure exists for every landscape, floral study, or wildlife portrait. But by under- and overexposing a scene, you can come away with two (or more) interpretations, each different yet compelling in its own way. Bracketing exposure-simple, thanks to auto bracketing on most DSLRs-nets you a decent exposure, several variations, and the potential to blend different exposures into a single, superior version of a scene. For really killer images, go a step further, if time permits: Bracket white balance, focusing, crop, and camera orientation (horizontal and vertical)

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Sinar has announced that the “p-reflex” system that allows homeowners to use their DSLR body like the back digital enterprise system to the camera via an adapter. Currently compatible with Canon and Nikon, the system provides access to a range of medium format lenses and camera accessories such as bellows, filters, etc. An included adapter quick release “also allows users to easily change the orientation of the body camera from landscape to portrait and vice versa. The P-SLR system comes in different combinations of mounting a bellows adapter and quick release, and a number of optional accessories. It will be available next month a retail price of 1980 Swiss francs (~ € 1,440).

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The M Zuiko Digital 14-150mm F4-5.6 is its fourth lens Olympus Pen series cameras, and the first to venture into the region telephoto. 10.7x zoom ratio firmly in place “superzoom” territory, covering a range of very useful 28-300mm equivalent, making it ideal for general “walkaround use or travel. (In fact, Olympus said that with her on your camera, you never miss a photo opportunity, perhaps begging the question why the company still makes other goals.)

Like all superzoom 14-150mm uses a complex optical formula, with 15 elements in 11 groups including 3 aspherical elements (one ED glass is) to correct the aberrations. But unlike others, is an objective rather light, tipping the scales at less than 10 ounces. It is relatively small too – Olympus suggests that the volume was reduced by 35% compared to its analog digital SLR lens – the maintenance of the Pen series’ emphasis on portability. The autofocus system has been designed to meet the demands of filming, and uses only two elements focusing lens that promises fast and silent AF. There is a circular aperture to give smooth fuzzy environments, but in what becomes a kind of trend line of the pen, the hood is an option.

A missing feature, however, is integrated into the optical stabilization, simply because Olympus uses stabilizing the housing for its cameras Pen. This means that owners of Panasonic G Series will not receive any form of stabilization at all with that goal, which is an important consideration for a relatively long slow zoom. This is the main difference from the most obvious alternative, Panasonic Lumix G Vario own HD 14-140mm F4-5.8 OIS, but the increased complexity of objective results stabilized at a hefty price tag. Let’s see how the Olympus realizes.

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