photographyreal.com

post by ableh

Currently, digital cameras are really a must-have for everyone. It could be much more expensive than your standard camera to buy first, but you’ll find that digital cameras can represent savings more long-term financial. Due to the fact that you do not need films and because the high quality digital cameras offer, you will absolutely get value for your money.

Buying a digital camera will be one of the best investments you’ll ever quite within your lifestyle. With this camera, you’ll be able to get vivid images in digital format and print that can last a long time.

When you invest in a digital camera, it is suggested that you simply make investments within the best type of digital camera obtained to ensure the very best quality at the top and durability of images and plus the camera alone. One of those producers best type of digital camera very Canon. Canon is known for producing one of the best digital cameras of high quality that lasts a long time and takes excellent pictures that you can share with family and friends.

Because Canon digital cameras are identified to create images of high quality and extremely durable, you might understand that Canon digital cameras can be expensive. Therefore you should also protect your investment in addition to the procurement of Canon digital camera so you can protect these expensive devices but long term.

One of these kinds of accessories that you will be able to meet with your Canon digital camera may be the bag Canon digital camera. This bag will act like a shell of safety for the Canon digital camera. With this bag, you’ll see that it includes various pockets where you can insert your digital camera memory cards and other accessories needed to obtain your Canon digital camera to work.

This accessory may have buffers to protect your digital camera. So if you file accidentally, you’ll be able to be positive that the Canon digital camera inside, and your Canon digital equipment is likely to be protected with padding. Some bags are built to h2o become resistant to better protect the camera from the weather.

It is a truth that investing in a very digital Canon camera can have many benefits. With a Canon digital camera, you’ll be able to take pictures of memorable moments you and your family. However, you should also consider investing in the protection of the expensive Canon digital camera buying a digital camera bag complete with pockets for other components and more with the characteristic cushioning and resistant to water to protect your investment.

So next time you buy a Canon digital camera, make sure you also get a camera bag for her. With a camera bag, you can be sure that you can take memorable pictures of you and your family occasions and memorable location for a long time with your Canon digital camera.

Protect your investment with a bag of Canon digital camera. Not only can you have something to put your digital camera, but you’ll also have something that will absolutely protect your camera.

Get a bag Canon Digital camera and thank you for your digital camera and its components for an extremely long period. Always keep in mind that Canon digital cameras are expensive equipment that you should also consider investing to ensure its security strength.

post by ableh

New slot machines Kr in the Pentax lineup between the entry level model Kx and K-7 enthusiast. Visually, it is much closer to the Kx but a closer look under the hood reveals that the new camera has been improved in various fields. Specifically, Kr now shows the point of active focus in the viewfinder when the shutter is pressed halfway. The lack of this feature was one of our main points of criticism of the Kx and Km (which is almost certainly why the prism Kr is slightly larger than Kx).

Despite the visual similarities with Kx Kr is supplied with components of both the Kx and K-7 and includes some completely new features as well. Kx as he captures the images and 720p video onto a sensor of 12.4. As the K-7 pictures and menus can be viewed on a 3.0 inch LCD screen with 921k pixels resolution. In addition, Kr offers the widest ISO (100 to 25,600 in enhanced mode) and the fastest burst mode (6.0 fps) of all current Pentax DSLRs. New features include an IR interface simple (wireless data transfer to compatible devices), a method of treatment of substance and a Night Scene HDR. For photographers who can not decide whether they prefer AA batteries or a rechargeable property as a source of their power unit offers two options of Kr. It comes with a rechargeable battery AA standard but can be used with an adapter optional.

read original articel this

post by ableh

Samsung Electronics Co., Ltd, a global leader in digital media and digital convergence technologies, announced todaythe launch of the new WB700, the ultra-slim camera with an impressive 24X zoom function, capable of delivering superb quality images whether your subject is near or far.

The camera features a 24mm ultra-wide Schneider KREUZNACH lens to capture the perfect wide shot, as well as an outstanding 24X zoom function, made up of an 18X optical zoom and 1.3X Smart Zoom. The WB700 delivers sharp images with incredible detail in close up thanks to the camera’s 16 Megapixel (MP) CCD sensor. The flexibility of the WB700’s lens and zoom functions means that you can capture a broad landscape in the same 16MP detail as a bubbling brook in the distance.

Steve Mitchell, General Manager, Samsung UK Digital Imaging, said: “We understand that many of our customers come to us for the very best and most up-to-date technology available, which is why we have chosen to bring all our innovation together in the WB700 for both the advanced and novice photographer, giving a balance of professional quality imaging and the kind of usability anyone can master. On top of the core excellence of the WB700’s 16MP 24mm lens with OIS and Schneider KREUZNACH super-zoom, we have added features that add surprise and delight to the photography experience, such as our new smart filters, the smart lens effect and zoom noise cancellation, adding value throughout the photography experience.

read original website klik

post by ableh

1. Pan a moving subject.
Panoramic follows a moving subject by rotating the camera while the shutter is open, has two major advantages for shooting wildlife. It captures the object strongly, while the background stripes to show the movement (as in the photo above). It can also help you keep your subject when too strong lighting IMG to get you faster shutter speeds for freezing action. Panoramic generally requires the shutter open for 1 / 8 sec or more, depending on the speed of the object. Whether you use a tripod or handholding (which can produce straight and parallel lines in the background streaks-cool effect), start the stove before the shutter is open and keep moving until it is closed. Like most things in life, practice makes perfect panoramic.

2. Check the histogram.
The peaks and valleys of this graph represents the amount of exposure in darker shades (far left) to the most brilliant (far right). On the banks, you should worry about: If a spill graph on the left edge, you lose detail in deep shadows and generally obtain a noise dose. Trespass on the right side, and you end up with blown highlights, like an empty sky. If the graph extends to the left, increase exposure, if it spills over the right to reduce their exposure. Sometimes you will not be able to get both content simultaneously. landscape shooters may choose to drop the shadow rather than blown highlights, but there are exceptions landscapes backlit like David Clapp’s on pages 58-59.

3. Follow with a zoom.
You want to fill the frame with a bird in flight, if you win the long zoom for the longest focal length. But when you put your eye to the viewfinder, you are met with a blank blue sky and green foliage. Where is the bird? Rather than swinging your objective in all directions in an often futile hunt for a moving subject, try to zoom up. Set your zoom to a focal length wide enough to easily take the bird in flight when you put your eye to the viewfinder. Once you do, follow focus on it (as with the pan, use continuous autofocus), until you are in tune with its speed and trajectory. Then begin to zoom in and fill the frame. In addition, as the deck it gets easier with practice.

4. Set hyperfocal distance.
The hyperfocal distance is the focus setting that will give you the greatest depth of field (DOF) that still includes infinity. If your lens has a DOF scale (a series of inscribed lines adjacent to the distance scale and labeled with f-numbers), setting it is easy: Switch the lens to manual focus and turn it so that the infinity distance mark lines up with the f-stop you’re using. If your lens has no DOF scale, you can eyeball it using DOF preview (provided your camera has it): Set your aperture and trigger DOF preview. Focus the lens manually to a near distance, and, while looking through the viewfinder, set the distance farther and farther until the most distant object comes just into focus. If the viewfinder image is too dark, cover the finder, cup your hands around the eyepiece, and wait for your eye to adjust.

5. Bracket exposures and other settings.
A common myth is that one perfect exposure exists for every landscape, floral study, or wildlife portrait. But by under- and overexposing a scene, you can come away with two (or more) interpretations, each different yet compelling in its own way. Bracketing exposure-simple, thanks to auto bracketing on most DSLRs-nets you a decent exposure, several variations, and the potential to blend different exposures into a single, superior version of a scene. For really killer images, go a step further, if time permits: Bracket white balance, focusing, crop, and camera orientation (horizontal and vertical)

just post by ableh

The M Zuiko Digital 14-150mm F4-5.6 is its fourth lens Olympus Pen series cameras, and the first to venture into the region telephoto. 10.7x zoom ratio firmly in place “superzoom” territory, covering a range of very useful 28-300mm equivalent, making it ideal for general “walkaround use or travel. (In fact, Olympus said that with her on your camera, you never miss a photo opportunity, perhaps begging the question why the company still makes other goals.)

Like all superzoom 14-150mm uses a complex optical formula, with 15 elements in 11 groups including 3 aspherical elements (one ED glass is) to correct the aberrations. But unlike others, is an objective rather light, tipping the scales at less than 10 ounces. It is relatively small too – Olympus suggests that the volume was reduced by 35% compared to its analog digital SLR lens – the maintenance of the Pen series’ emphasis on portability. The autofocus system has been designed to meet the demands of filming, and uses only two elements focusing lens that promises fast and silent AF. There is a circular aperture to give smooth fuzzy environments, but in what becomes a kind of trend line of the pen, the hood is an option.

A missing feature, however, is integrated into the optical stabilization, simply because Olympus uses stabilizing the housing for its cameras Pen. This means that owners of Panasonic G Series will not receive any form of stabilization at all with that goal, which is an important consideration for a relatively long slow zoom. This is the main difference from the most obvious alternative, Panasonic Lumix G Vario own HD 14-140mm F4-5.8 OIS, but the increased complexity of objective results stabilized at a hefty price tag. Let’s see how the Olympus realizes.

read original olympus

post by ableh

Sony NEX-3 NEX-5

Since Panasonic and Olympus have created their Micro Four Thirds System mirrorless, all the talk about what was the other players on the market will do. Micro Four Thirds has continuously strengthened its market share, apparently without response from the three companies that represent over 80% of sales of digital SLRs (Canon, Nikon and Sony) in that “the risks Micro becomes the generic term for these systems mirrorless (“When the X to a micro camera?” has become a fairly common thread title on our forums),.

The wait is now over that, following the screening models at PMA, and a torrent of teasers and leaks, Sony has finally officially announced its NEX system last month. The details are exactly what you expect – capable of HD video APS-C sensors in small bodies. What could take you by surprise is how the bodies are small – NEX-5, especially for its small size. In fact, the cameras are too small to be included in the body of the units of image stabilization, which is found in Sony DSLR, and instead use lenses made from “Optical SteadyShot. These cameras will come under the NEX Alpha brand but do not use the Alpha lens mount, instead of using the new fully electronic system of E-Mont.

Sony has made it clear he aims for compact camera users who want to update (a market he estimates at about 10 million potential buyers), rather than trying to offer a second camera the current digital SLR users. And models NEX have more in common with compact cameras as digital SLR – including buttons and a few interface resolutely unconventional.

Through this interface, it offers not only standard option with Sony to show a small description of each option selected, it also has a complete user guide built into the camera. relevant sections of this guide are available in each shooting mode to provide guidance and advice on everything from how to hold the camera in order to reach an out-of-focus background.

The company told us he felt that his competitors had just miniaturized, rather than revolution, it is not surprising that NEXs longer just reflex of the company with the mirrors removed. Instead you get an entirely new system of metallic glasses with body kit (something we never expected to see again in a product the public), and an accessory port instead of the conventional flash shoe .

As with Samsung and Panasonic, Sony Electronics is substantive (rather than cameras) for the incentive away from the optically DSLR design a more complex around the electronic display of meaning. Sony’s situation is somewhat different in that it has purchased the Minolta respected and know-how, but despite numerous new models, it has been able to make a big impression on the market in digital SLR few selected areas. Therefore, it is understandable that this might combine his knowledge DSLR with its expertise in electronics to establish a compelling competitive advantage.

just post read the original sony NEX-3

just post by ableh

Pentax K-x, firmware V1.01

X Pentax sitting in the slot previously occupied by the company K200D – one of the best entry-level DSLRs are determined in the market on time – despite the current position has been elevated by the arrival of a new generation of simplified models underneath. Pentax line-up which means K2000/Km designed to attract the attention of compact camera users to DSLR ownership with the interface that is easy to use and small scale, and that is that the camera is immediately reminded KX (they share the same body).

Despite the compact size and uses AA batteries, there is more than one indication of 7-K about the new model specification. This 11-point gain system-K 7′s AF and PRIME II imaging engine, along with its ability to correct chromatic aberration and distortion when using a lens Pentax DA and DFA. It also has an orientation sensor.

read the original Pentax K-x

just post by ableh

Nikon D3S

When the Nikon D3 was launched in August 2007, it had an immediate impact on the DSLR market, and not only in the professional sector. The D3 was Nikon’s first DSLR with an FX (full frame) CMOS sensor, but its major selling point, in the minds of many photographers at the time, was its unparalleled image quality at high ISO settings. With the D3, photographers could shoot at ISO settings up to 6400 without a significant penalty in noise, and in a pinch, even go up to ISO 25,600 (equivalent) – unheard of at the time. This versatility, coupled with a very capable AF system and rugged, weatherproof build, did much to reverse Nikon’s declining fortunes in the professional DSLR market. Professional Canon users, many of whom were disillusioned by the seemingly endless problems that plagued the flagship EOS 1D Mark III at the time, flocked to the D3 in large numbers. In the process, Nikon mounted a formidable challenge to Canon in the sports and action segment of the pro marketplace.

read the original nikon D3S

Canon-Powershot-S90

Read the original here Just Posted: Canon PowerShot S90 review

by.ableh photography

waterfall,slow speed

Creating the illusion of movement within a still image can be a difficult proposition, as it requires breaking one of the basic rules of photography in keeping the subject sharp.

A waterfall makes for an attractive subject when taking landscape photography, but some of the majesty of the image is lost when the shutter speed is too high. The water appears completely static and although the environment will give away the motion, the final effect will still be a poor reflection of the subject. The only method to remedy this is to slow the shutter speed in order to carry a degree of motion blur, portraying a far more active image. By sacrificing the sharpness in the main subject, the movement will be better carried into the image, and the surrounding environment being sharp emphasises the fact that the water isn’t blurred through poor photography, but simply for an intentional effect.

The fact that a waterfall is often surrounded by trees makes the exposure difficult, as streaks of light often appear, rather than a balanced amount. Trees also have the added annoyance of moving around in a breeze, meaning the water may not be the only blurred object. On a particularly windy day, it can be better to simply crop the trees out of the photo with some tighter framing. As with any type of landscape photography, patience is the key, so don’t be discouraged if the first few shots aren’t exactly as intended. Be sure to grab a tripod and don’t get too close to the action, or the camera may not survive the image-taking process.

Please refer to the image above for the following number references.1 Background sharpness
Switch to manual focus and make sure the surrounding area is sharp, rather than worrying about the waterfall itself2 Slow shutter speed
Put the shutter speed down to around the half-second mark, and keep an eye on the aperture. It may close too far to compensate on Program mode3 Inconsistent lighting issues
Surrounding obstructions might cause streaks of light across the image, so waiting for a perfect moment may be a fruitless exercise4 Steady as she goes
A tripod will be absolutely vital for this shot, as the long shutter speeds make it impossible to go hand-held without it resulting in a blurred mess

canon-eos-digital-rebel-xsi-slr-digital-camera

Digital SLR History 101 In mid-2000 Canon rocked the digital SLR camera world with the introduction of the EOS D30, its large-area 3.25-megapixel CMOS image sensor and unbelievable $2999 street price. Canon made it clear that the D30 was not a “professional” camera yet it still competed with pro dSLR cameras costing five times as much. The next evolution came with the EOS D60 in early 2002 — Canon doubled the resolution with a 6-megapixel CMOS sensor, a more robust AF system and image processor and lowered the price to $2399. The D60 was so popular that dealers had a difficult time keeping them in stock, most were sold before they even got to the store. At the PMA show in Las Vegas in March 2003 Canon announced their most affordable digital SLR yet, the EOS 10D with an estimated $1500 street price. The EOS 10D has an even faster AF system than the D60 and was the first dSLR to use Canon’s new DIGIC image processor. And now, just six months behind the 10D, Canon is launching their super-affordable EOS Digital Rebel SLR with a street price of just $999 — and that includes the EF-S 18-55mm zoom lens.

The “magic” $1000 price mark for digital SLRs has been broken like the sound barrier and Canon is positioning the EOS Digital Rebel as “the digital SLR for everyone.” These cameras will be an instant hit with those wanting a digital camera that works the same as their 35mm SLR, and dealers will no doubt sell them as fast as Canon can make them. And Canon is planning on making a lot of them. They announced at the London press event that production was set at an amazing 70,000 units a month. The Digital Rebel may not be black, but don’t let the silver-colored body fool you, this isn’t some cheap knock-off. It’s loaded with state of the art imaging technology and is sure to please both novice and seasoned photographers alike.

The EOS Digital Rebel incorporates a large-area 6.3 megapixel CMOS sensor with Canon’s exclusive DIGIC Image Processor for maximum camera performance as well as direct connectivity to several Canon Bubble Jet Direct printers and Card Photo Printers. Advanced camera features include a very fast, wide area 7-point autofocus system for precise focusing; 2.5 frames per second drive speed in 4-frame bursts, JPEG or simultaneous RAW + JPEG capture settings; an ISO range of 100–1600; manual white balance mode; selectable color space options including Adobe RGB and sRGB; a scrollable 10x zoom playback mode; and a Plug and Play USB interface.

The EOS Digital Rebel is compatible with more than 50 Canon EF-series lenses including the new EF-S lenses. The advanced AF system’s 7 focusing points are conveniently superimposed on the viewfinder, cover a wide area for superb precision, and are manually selectable for a high degree of control. Ideal focus is achieved whether camera orientation is vertical or horizontal, with moving, still or off-center subjects, and even in low light/low contrast situations. An Intelligent Orientation Sensor to detect whether the camera is positioned horizontally or vertically and uses that information to improve autofocus and exposure metering accuracy and enables the camera to automatically rotate vertical format images during playback.

The Digital Rebel’s shutter speeds range from 1/4,000 of a second to 30 seconds plus Bulb, while a built-in motor drive enables the camera to capture 2.5 frames per second in continuous shooting mode for bursts of up to four shots. There are 12 shooting modes including Program AE, Shutter-priority AE, Aperture-priority AE, Auto Depth-of-Field AE and Manual as well as Full Auto, Portrait, Landscape, Close-up, Action, Night Scene and Flash Off.

Canon’s exclusive 35-zone Evaluative metering links to the active focusing point and is the default metering pattern in AE modes, while center-weighted average metering is automatically selected in Manual mode. Central-area partial metering (measuring 9.5% of the picture area) is available on demand in Program AE, Shutter-priority AE, Aperture-priority AE, Auto Depth-of-Field AE and Manual.

Canon’s new compact EF-S 18-55mm f/3.5-5.6 zoom lens – created exclusively for the Digital Rebel and available only in the Digital Rebel Kit – approximates a 28-90mm zoom lens (in 35mm format). By reducing the distance from the rear of the lens to the imaging sensor and reducing the size of the image circle to accommodate the camera’s imaging sensor size, the lens produces high image quality with superb resolution at all focal lengths. The new lens is also smaller and lighter than conventional lenses because of the shorter backfocus distance. Similarly, the newly developed Canon Zoom Lens EF 55-200mm f/4.5-5.6 II USM covers a 35mm equivalent zoom range of approximately 90-320mm when used with the Digital Rebel. Together, these two lenses provide 35mm-equivalent zoom coverage from 28mm to 320mm.

canon eos digital rebel SLR | cameras

EOS Digital Rebel Features:

* Canon EF lens mount, compatible with all Canon EF including EF-S lenses

* 6.3 megapixel (effective) CMOS image sensor, RGB primary filter

* 3072 x 2048 pixel 24-bit JPEG and 36-bit RAW file formats. RAW files include an embedded JPEG that is quickly extracted with the supplied software

* Fast, Wide-area TTL AF with 7 focusing points, manual or auto selectable.

* One shot AF, AI Servo AF with focus prediction, AI Focus AF, and manual focus modes.

* Canon DIGIC image processor speeds up image processing, camera functions and improves image quality

* Full range of exposure modes: Shutter Priority, Aperture Priority, Depth-of-Field AE, Programmed AE with modes for Landscape, Macro, Night Scene, Portrait, and Sports, and full Manual

* 35-zone TTL metering, Evaluative (linked to all focusing points), Center weighted average, or 9.5% central-area spot metering

* White Balance: Auto, six presets and Manual color temperature

* Continuous Drive mode: 4 frames at 2.5 fps (1/250 second or faster)

* Shutter speeds: 30 to 1/4,000 seconds, plus Bulb

* Eye level TTL viewfinder with diopter adjustment, illuminated AF points, depth-of-field preview and detailed information display.

* Auto exposure bracketing: -/+2 EV in 1/2 EV or 1/3 EV increments

* 1.8 inch, color TFT LCD, 118,000 pixels, 5 levels of brightness

* Playback image zoom 1.5x-10x in 5 steps with scrolling

* ISO sensitivity range: 100, 200, 400, 800, and 1,600

* Built-in E-TTL popup flash with red-eye reduction.

* Hot shoe for Canon EX Speedlites

* CompactFlash Type II card slot, Microdrive & FAT-32 compatible

* I/O ports: USB, Video Out (NTSC or PAL), N3 remote control socket

* High capacity Li-ion rechargeable battery and compact rapid charger included

* Direct Print to Canon CP-100/200/300, Bubble Jet Direct and PictBridge compatible printers

* Optional BG-E1 Battery Grip holds two BP-511 battery packs and adds vertical grip,shutter release and
controls

Nikon AF-S Nikkor 35mm 1:1.8G DX

The AF-S Nikkor 35mm F1.8G DX is Nikon’s latest lens, announced in February for PMA 2009. Its introduction came as something of a surprise to many observers, not because it’s an updated 35mm lens with a built-in autofocus motor, but because the ‘DX’ designation indicates that it’s designed for use on DX format bodies, and isn’t fully compatible with Nikon’s growing FX format camera range. According to Nikon, this has allowed the company to design a lens that is smaller, lighter and cheaper than it would have been had it offered full coverage of the FX image circle. In effect, the lens is primarily targeted as an inexpensive, large aperture option for users of the entry-level (D40 / D40X /D60) series of DSLRs.

The 35mm focal length is roughly equivalent to 50mm on an FX camera, and the lens therefore fits into the ‘standard’ category, with an angle of view offering none of the ‘perspective distortion’ associated with wideangle or telephoto lenses. The fast F1.8 maximum aperture admits more than four times as much light as the AF-S 18-55mm F3.5-5.6G VR DX kit lens, which is useful for shooting in low light while keeping shutter speeds reasonably high. The ‘Silent Wave Motor’ allows autofocus on all of Nikon’s DSLR bodies, with the added bonus of allowing the user to tweak focus manually in AF mode if desired.

The 35mm F1.8G features an optical design of 8 elements in 6 groups, including an aspherical element for the correction of aberrations usually associated with large aperture prime lenses. However unlike the typical 50mm standard prime for the full frame (FX) format, this lens’s focal length is rather shorter than the flange distance from the lens mount to the imager. This necessitates the use of a so-called ‘retrofocal’ design, which is more usually associated with wideangle lenses; unfortunately this often results in increased aberrations relative to traditional near-symmetric 50mm designs. So how does the 35mm F1.8 DX measure up?

Headline features

* 35mm focal length; fast F1.8 maximum aperture
* Silent Wave Motor allows autofocusing on all Nikon DSLRs
* Full-time manual focus override
* For DX format cameras